The epilogue portrays New York as an alluring dream that becomes carceral. [connection]
However, in view of what has gone before in the novel, the epilogue perhaps more compellingly gestures toward the continued allure of New York as the great melting-pot city for all those migrants who come to buy into its dream, as yet unaware of the modern carceral nightmare it has become.
Peter Morey, Islamophobia and the Novel, loc. 308