The consequence of this [Enlightenment] critique is not the disappearance of the monster. During the Enlightenment, teratological galleries will remain an important category of the imagination. However, the monsters of modernity do not possess the same radical alterity of their classical and medieval predecessors but are rather the excrescence of an almost domestic world, mere deviations from the figures of normality. The sciences of physiognomy and criminology begin to describe, instead of sinners against God and nature, a constellation of degenerates, such as rapists.

Sophia Rose Arjana, Muslims in the Western Imag…, loc. 379