Grant had clearly defined boundaries around personal information sharing. [definitional]
In terms of the public/private divide, I think people think I have no private life. Because I talk about a lot of very intimate things but I use that strategically. [But] there are a lot of private things that I would never even think to talk about and people don’t even know; they can’t even conceive. They think that because I’m talking about sexuality or activism or things I’m very passionate about that they must know everything about me, which is a marvelous way to have a private life. Because people think they already know your dirty secrets. … Grant had clearly defined boundaries around personal information sharing. She believed that sharing more than most people online (for example, her fervent writing about sexuality) allowed the rest of her private life to fly under the radar. While Grant reveals more online than many people do—she is contemplating a project that would document her sexual encounters—she is playing a character, the feminist performance artist known for her forthrightness, rather than living her entire life in public. It is precisely through revealing more that she attempts to conceal what she wants to keep most private; she is still presenting an edited self.
Alice E. Marwick, Status Update, loc. 624