Inward from heroic action to social drama to individual. [fact]
The history of Western literature shows a movement downward and inward: downward through society from royalty to gentry to the middle classes to the lower classes to the dropouts; inward from heroic action to social drama to individual consciousness to the subconscious to the unconscious. What has remained consistent is that, for the time spent in an author's world, we stand with the protagonist or protagonists, we "see their point of view," and the fiction succeeds largely because we are willing to grant them a goodness that we would not grant them in life.
Janet Burroway, Writing Fiction, Tenth Edit…, loc. 297