Jamal Awil

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Black skin, white masks cover

Black skin, white masks

Author
Frantz Fanon, Constance Farrington
Highlights
235
Responses
0
First Highlight
Aug 9, 2026
Last Highlight
Aug 9, 2026

Black men challenge white claims of intellectual superiority. [fact]

There is a fact: White men consider themselves superior to black men. … There is another fact: Black men want to prove to white men, at all costs, the richness of their thought, the equal value of their intellect.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 38

Childhood defects shape adult moral judgment. [causal]

A moment ago I spoke of narcissism. Indeed, I believe that only a psychoanalytical interpretation of the black problem can lay bare the anomalies of affect that are responsible for the structure of the complex. I shall attempt a complete lysis of this morbid body. I believe that the individual should tend to take on the universality inherent in the human condition. And when I say this, I am thinking impartially of men like Gobineau or women like Mayotte Capécia. But, in order to arrive at this judgment, it is imperative to eliminate a whole set of defects left over from childhood.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 40

Black alienation requires a social diagnosis. [fact]

Reacting against the constitutionalist tendency of the late nineteenth century, Freud insisted that the individual factor be taken into account through psychoanalysis. He substituted for a phylogenetic theory the ontogenetic perspective. It will be seen that the black man's alienation is not an individual question. Beside phylogeny and ontogeny stands sociogeny. In one sense, conforming to the view of Leconte and Damey, let us say that this is a question of a sociodiagnostic.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 45

Black alienation requires a social explanation. [fact]

Reacting against the constitutionalist tendency of the late nineteenth century, Freud insisted that the individual factor be taken into account through psychoanalysis. He substituted for a phylogenetic theory the ontogenetic perspective. It will be seen that the black man's alienation is not an individual question. Beside phylogeny and ontogeny stands sociogeny.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 45

Liberation on one level leaves another intact. [contrarian]

The black man must wage his war on both levels: Since historically they influence each other, any unilateral liberation is incomplete, and the gravest mistake would be to believe in their automatic interdependence. Besides, such a systematic tendency is contrary to the facts. This will be proved.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 47

White and black racial contact creates a psychoexistential complex. [fact]

The "jungle savage" is not what I have in mind. That is because for him certain factors have not yet acquired importance. … I believe that the fact of the juxtaposition of the white and black races has created a massive psychoexistential complex. I hope by analyzing it to destroy it.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 53

White culture distorts Black selfhood. [contrarian]

The fifth chapter, which I have called The Fact of Blackness, is important for more than one reason. It portrays the Negro face to face with his race. It will be observed that there is no common link between the Negro of this chapter and the Negro who wants to go to bed with a white woman. In the latter there is clearly a wish to be white. A lust for revenge, in any case. Here, in contrast, we observe the desperate struggles of a Negro who is driven to discover the meaning of black identity. White civilization and European culture have forced an existential deviation on the Negro. … I shall demonstrate elsewhere that what is often called the black soul is a white man's artifact.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 66

Renunciation rejects both present and future in favor of the past. [fact]

Then he congratulates himself on this, and enlarging the difference, the incomprehension, the disharmony, he finds in them the meaning of his real humanity. Or more rarely he wants to belong to his people. And it is with rage in his mouth and abandon in his heart that he buries himself in the vast black abyss. We shall see that this attitude, so heroically absolute, renounces the present and the future in the name of a mystical past.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 68

Speaking presupposes cultural membership. [fact]

To speak means to be in a position to use a certain syntax, to grasp the morphology of this or that language, but it means above all to assume a culture, to support the weight of a civilization.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 74

Language mastery grants social power. [fact]

The problem that we confront in this chapter is this: The Negro of the Antilles will be proportionately whiter –that is, he will come closer to being a real human being –in direct ratio to his mastery of the French language. I am not unaware that this is one of man's attitudes face to face with Being. A man who has a language consequently possesses the world expressed and implied by that language. What we are getting at becomes plain: Mastery of language affords remarkable power.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 75

Creole was banned in Martinique schools. [fact]

The middle class in the Antilles never speak Creole except to their servants. In school the children of Martinique are taught to scorn the dialect. One avoids Creolisms. Some families completely forbid the use of Creole, and mothers ridicule their children for speaking it.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 79

A long stay in France alters a black man’s manner. [fact]

The black man who has lived in France for a length of time returns radically changed. To express it in genetic terms, his phenotype undergoes a definitive, an absolute mutation. Even before he had gone away, one could tell from the almost aerial manner of his carriage that new forces had been set in motion. When he met a friend or an acquaintance, his greeting was no longer the wide sweep of the arm: With great reserve our “new man” bowed slightly. The habitually raucous voice hinted at a gentle inner stirring as of rustling breezes.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 79

France transforms him into a new type. [fact]

The Negro who knows the mother country is a demigod. In this connection I offer a fact that must have struck my compatriots. Many of them, after stays of varying length in metropolitan France, go home to be deified. The most eloquent form of ambivalence is adopted toward them by the native, the-one-who-never-crawled-out-of-his-hole, the bitaco. The black man who has lived in France for a length of time returns radically changed. To express it in genetic terms, his phenotype undergoes a definitive, an absolute mutation.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 79

Black expatriates gain elevated status in Martinique. [fact]

The process repeats itself with the man of Martinique. First of all on his island: Basse-Pointe, Marigot, Gros-Morne, and, opposite, the imposing Fort-de-France. Then, and this is the important point, beyond his island. The Negro who knows the mother country is a demigod. In this connection I offer a fact that must have struck my compatriots. Many of them, after stays of varying length in metropolitan France, go home to be deified. The most eloquent form of ambivalence is adopted toward them by the native, the-one-who-never-crawled-out-of-his-hole, the bitaco. The black man who has lived in France for a length of time returns radically changed. To express it in genetic terms, his phenotype undergoes a definitive, an absolute mutation.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 79

Speaking standard French marks Black speakers as white. [contrarian]

In any group of young men in the Antilles, the one who expresses himself well, who has mastered the language, is inordinately feared; keep an eye on that one, he is almost white. In France one says, “He talks like a book.” In Martinique, “He talks like a white man.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 83

French in France intensifies speech self-monitoring. [fact]

The Negro arriving in France will react against the myth of the R-eating man from Martinique. He will become aware of it, and he will really go to war against it. He will practice not only rolling his R but embroidering it. Furtively observing the slightest reactions of others, listening to his own speech, suspicious of his own tongue–a wretchedly lazy organ–he will lock himself into his room and read aloud for hours–desperately determined to learn diction.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 84

Europe promises liberation when borders fall. [contrarian]

There is a psychological phenomenon that consists in the belief that the world will open to the extent to which frontiers are broken down. Imprisoned on his island, lost in an atmosphere that offers not the slightest outlet, the Negro breathes in this appeal of Europe like pure air.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 86

France measures distance from Notre-Dame’s marker. [fact]

The black man who arrives in France changes because to him the country represents the Tabernacle; he changes not only because it is from France that he received his knowledge of Montesquieu, Rousseau, and Voltaire, but also because France gave him his physicians, his department heads, his innumerable little functionaries–from the sergeant-major “fifteen years in the service” to the policeman who was born in Panissières. There is a kind of magic vault of distance, and the man who is leaving next week for France creates round himself a magic circle in which the words Paris, Marseille, Sorbonne, Pigalle become the keys to the vault. He leaves for the pier, and the amputation of his being diminishes as the silhouette of his ship grows clearer. In the eyes of those who have come to see him off he can read the evidence of his own mutation, his power. “Good-by bandanna, good-by straw hat. . . .”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 92

The blow on the feet restores his memory. [fact]

There is a relevant illustration in folklore. After several months of living in France, a country boy returns to his family. Noticing a farm implement, he asks his father, an old don'tpull-that-kind-of-thing-on-me peasant, “Tell me, what does one call that apparatus?” His father replies by dropping the tool on the boy's feet, and the amnesia vanishes. Remarkable therapy.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 93

The newcomer becomes a self-appointed critic of his own group. [fact]

There is the newcomer, then. He no longer understands the dialect, he talks about the Opera, which he may never have seen except from a distance, but above all he adopts a critical attitude toward his compatriots. Confronted with the most trivial occurrence, he becomes an oracle. He is the one who knows. He betrays himself in his speech.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 94

Parisianism enforces strict local social conformity. [fact]

And if the newcomer soon gets the floor, it is because they were waiting for him. First of all to observe his manner: The slightest departure is seized on, picked apart, and in less than forty-eight hours it has been retailed all over Fort-de-France. There is no forgiveness when one who claims a superiority falls below the standard. Let him say, for instance, “It was not my good fortune, when in France, to observe mounted policemen,” and he is done for. Only one choice remains to him: throw off his “Parisianism” or die of ridicule. For there is also no forgetting: When he marries, his wife will be aware that she is marrying a joke, and his children will have a legend to face and to live down.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 96

Language difference signals a split in identity. [fact]

What is the origin of this personality change? What is the source of this new way of being? Every dialect is a way of thinking, Damourette and Pichon said. And the fact that the newly returned Negro adopts a language different from that of the group into which he was born is evidence of a dislocation, a separation. Professor D. Westermann, in The African Today (p. 331), says that the Negroes' inferiority complex is particularly intensified among the most educated, who must struggle with it unceasingly. Their way of doing so, he adds, is frequently naive: “The wearing of European clothes, whether rags or the most up-to-date style; using European furniture and European forms of social intercourse; adorning the Native language with European expressions; using bombastic phrases in speaking or writing a European language; all these contribute to a feeling of equality with the European and his achievements.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 97

Educated Negroes feel inferior more intensely. [fact]

Every dialect is a way of thinking, Damourette and Pichon said. And the fact that the newly returned Negro adopts a language different from that of the group into which he was born is evidence of a dislocation, a separation. Professor D. Westermann, in The African Today (p. 331), says that the Negroes' inferiority complex is particularly intensified among the most educated, who must struggle with it unceasingly.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 97

Antillean soldiers ranked above Africans in colonial prestige. [fact]

I have known–and unfortunately I still know–people born in Dahomey or the Congo who pretend to be natives of the Antilles; I have known, and I still know, Antilles Negroes who are annoyed when they are suspected of being Senegalese. This is because the Antilles Negro is more “civilized” than the African, that is, he is closer to the white man; and this difference prevails not only in back streets and on boulevards but also in public service and the army. Any Antilles Negro who performed his military service in a Senegalese infantry regiment is familiar with this disturbing climate: On one side he has the Europeans, whether born in his own country or in France, and on the other he has the Senegalese. I remember a day when, in the midst of combat, we had to wipe out a machine-gun nest. The Senegalese were ordered to attack three times, and each time they were forced back. Then one of them wanted to know why the toubabs6 did not go into action. At such times, one no longer knows whether one is toubab or “native.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 99

Public schooling will eventually marginalize Creole. [fact]

Even now, despite the fact that it is a language that everyone knows more or less, though only the illiterate use it to the exclusion of French, Creole seems already predestined to become a relic eventually, once public education (however slow its progress, impeded by the insufficiency of school facilities everywhere, the paucity of reading matter available to the public, and the fact that the physical scale of living is often too low) has become common enough among the disinherited classes of the population.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 102

Breton identity persists without Breton fluency. [fact]

Nothing of the sort in the Antilles. The language spoken officially is French; teachers keep a close watch over the children to make sure they do not use Creole. Let us not mention the ostensible reasons. It would seem, then, that the problem is this: In the Antilles, as in Brittany, there is a dialect and there is the French language. But this is false, for the Bretons do not consider themselves inferior to the French people. The Bretons have not been civilized by the white man.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 105

Breton identity survives without Breton fluency. [fact]

In the Antilles, as in Brittany, there is a dialect and there is the French language. But this is false, for the Bretons do not consider themselves inferior to the French people. The Bretons have not been civilized by the white man.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 105

Intelligence has enabled both equality claims and mass violence. [contrarian]

When someone else strives and strains to prove to me that black men are as intelligent as white men, I say that intelligence has never saved anyone; and that is true, for, if philosophy and intelligence are invoked to proclaim the equality of men, they have also been employed to justify the extermination of men.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 107

Black identity is shaped by colonial oppression. [fact]

If one hears a Sartre or a Cardinal Verdier declare that the outrage of the color problem has survived far too long, one can conclude only that their position is normal. … But my purpose is quite different: What I want to do is help the black man to free himself of the arsenal of complexes that has been developed by the colonial environment.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 112

White subjects outside the study are irrelevant. [fact]

I shall be told, by those who overlook my purpose, that I should have directed my attention elsewhere, that there are white men who do not fit my description. … To these objections I reply that the subject of our study is the dupes and those who dupe them, the alienated, and that if there are white men who behave naturally when they meet Negroes, they certainly do not fall within the scope of our examination.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 114

Indifference can provoke anger by classifying others. [fact]

To speak pidgin to a Negro makes him angry, because he himself is a pidgin-nigger-talker. But, I will be told, there is no wish, no intention to anger him. I grant this; but it is just this absence of wish, this lack of interest, this indifference, this automatic manner of classifying him, imprisoning him, primitivizing him, decivilizing him, that makes him angry.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 117

Homecoming exposes the voyager as culturally altered. [fact]

The Antilles Negro who goes home from France expresses himself in dialect if he wants to make it plain that nothing has changed. One can feel this at the dock where his family and his friends are waiting for him. Waiting for him not only because he is physically arriving, but in the sense of waiting for the chance to strike back. They need a minute or two in order to make their diagnosis. If the voyager tells his acquaintances, "I am so happy to be back with you. Good Lord, it is hot in this country, I shall certainly not be able to endure it very long," they know: A European has got off the ship.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 140

Antillean migrants use dialect to signal continuity. [fact]

In every country of the world there are climbers, "the ones who forget who they are," and, in contrast to them, "the ones who remember where they came from." The Antilles Negro who goes home from France expresses himself in dialect if he wants to make it plain that nothing has changed.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 140

The voyager protects his identity through dialect. [fact]

In every country of the world there are climbers, "the ones who forget who they are," and, in contrast to them, "the ones who remember where they came from." The Antilles Negro who goes home from France expresses himself in dialect if he wants to make it plain that nothing has changed. One can feel this at the dock where his family and his friends are waiting for him. Waiting for him not only because he is physically arriving, but in the sense of waiting for the chance to strike back. They need a minute or two in order to make their diagnosis. If the voyager tells his acquaintances, "I am so happy to be back with you. Good Lord, it is hot in this country, I shall certainly not be able to endure it very long," they know: A European has got off the ship.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 140

Students in Paris must choose between French universality and local dialect. [fact]

In a more limited group, when students from the Antilles meet in Paris, they have the choice of two possibilities: –either to stand with the white world (that is to say, the real world), and, since they will speak French, to be able to confront certain problems and incline to a certain degree of universality in their conclusions; –or to reject Europe, "Yo," and cling together in their dialect, making themselves quite comfortable in what we shall call the Umwelt of Martinique; by this I mean–and this applies particularly to my brothers of the Antilles –that when one of us tries, in Paris or any other university city, to study a problem seriously, he is accused of self-aggrandizement, and the surest way of cutting him down is to remind him of the Antilles by exploding into dialect. This must be recognized as one of the reasons why so many friendships collapse after a few months of life in Europe.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 141

Black men need fair judgment from whites. [fact]

My theme being the disalienation of the black man, I want to make him feel that whenever there is a lack of understanding between him and his fellows in the presence of the white man there is a lack of judgment.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 144

Language mastery grants access to another culture. [fact]

To speak a language is to take on a world, a culture. The Antilles Negro who wants to be white will be the whiter as he gains greater mastery of the cultural tool that language is. Rather more than a year ago in Lyon, I remember, in a lecture I had drawn a parallel between Negro and European poetry, and a French acquaintance told me enthusiastically, "At bottom you are a white man." The fact that I had been able to investigate so interesting a problem through the white man's language gave me honorary citizenship.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 148

French signaled colonial upward mobility. [fact]

Historically, it must be understood that the Negro wants to speak French because it is the key that can open doors which were still barred to him fifty years ago. In the Antilles Negro who comes within this study we find a quest for subtleties, for refinements of language–so many further means of proving to himself that he has measured up to the culture.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 149

French writers in the Antilles write in French by default. [fact]

If in the writers of the Antilles there does exist a desire to break away from the literary forms associated with formal education, such a desire, oriented toward a purer future, could not take on an aspect of folklore. Seeking above all, in literature, to formulate the message that is properly theirs, and in the case of some of them at least, to be the spokesmen of an authentic race whose potentials have never been acknowledged, they scorn such devices. Their intellectual growth took place almost exclusively within the framework of the French language, and it would be artifice for them to resort to a mode of speech that they virtually never use now except as something learned.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 153

Capécia’s novel provoked Fanon’s harsh moral judgment. [fact]

One day a woman named Mayotte Capécia, obeying a motivation whose elements are difficult to detect, sat down to write 202 pages–her life–in which the most ridiculous ideas proliferated at random. The enthusiastic reception that greeted this book in certain circles forces us to analyze it. For me, all circumlocution is impossible: Je suis Martiniquaise is cut-rate merchandise, a sermon in praise of corruption.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 159

She reorders the evidence to justify desire. [fact]

When she tries to determine in her own mind whether the man is handsome or ugly, she writes, "All I know is that he had blue eyes, blond hair, and a light skin, and that I loved him." It is not difficult to see that a rearrangement of these elements in their proper hierarchy would produce something of this order: "I loved him because he had blue eyes, blond hair, and a light skin."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 160

Light features reflect low melanin levels. [fact]

Mayotte loves a white man to whom she submits in everything. He is her lord. She asks nothing, demands nothing, except a bit of whiteness in her life. When she tries to determine in her own mind whether the man is handsome or ugly, she writes, "All I know is that he had blue eyes, blond hair, and a light skin, and that I loved him." It is not difficult to see that a rearrangement of these elements in their proper hierarchy would produce something of this order: "I loved him because he had blue eyes, blond hair, and a light skin." We who come from the Antilles know one thing only too well: Blue eyes, the people say, frighten the Negro.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 160

Mayotte Capécia’s acceptance depended on her racial identity. [fact]

It is because she is a woman of color that she is not accepted in this society. Her resentment feeds on her own artificiality. We shall see why love is beyond the reach of the Mayotte Capécias of all nations. For the beloved should not allow me to turn my infantile fantasies into reality: On the contrary, he should help me to go beyond them.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 164

Antillean women favor lighter-skinned partners. [fact]

Every time I have made up my mind to analyze certain kinds of behavior, I have been unable to avoid the consideration of certain nauseating phenomena. The number of sayings, proverbs, petty rules of conduct that govern the choice of a lover in the Antilles is astounding. It is always essential to avoid falling back into the pit of niggerhood, and every woman in the Antilles, whether in a casual flirtation or in a serious affair, is determined to select the least black of the men. Sometimes, in order to justify a bad investment, she is compelled to resort to such arguments as this: "X is black, but misery is blacker."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 171

Mayotte seeks racial whitening through love. [fact]

We are thus put on notice that what Mayotte wants is a kind of lactification. For, in a word, the race must be whitened; every woman in Martinique knows this, says it, repeats it. Whiten the race, save the race, but not in the sense that one might think: not "preserve the uniqueness of that part of the world in which they grew up," but make sure that it will be white.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 171

Teaching can shape future generations beyond the classroom. [fact]

Such attitudes are not rare, and I must confess that they disturb me, for in a few years this young woman will have finished her examinations and gone off to teach in some school in the Antilles. It is not hard to guess what will come of that.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 171

Ego restriction is a normal developmental stage. [definitional]

As a method of avoiding "pain," ego-restriction, like the various forms of denial, does not come under the heading of the psychology of neurosis but is a normal stage in the development of the ego. When the ego is young and plastic, its withdrawal from one field of activity is sometimes compensated for by excellence in another, upon which it concentrates. But, when it has become rigid or has already acquired an intolerance of "pain" and so is obsessionally fixated to a method of flight, such withdrawal is punished by impaired development. By abandoning one position after another it becomes one-sided, loses too many interests and can show but a meagre achievement.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 183

The ego seeks entry into the white world. [fact]

We understand now why the black man cannot take pleasure in his insularity. For him there is only one way out, and it leads into the white world. Whence his constant preoccupation with attracting the attention of the white man, his concern with being powerful like the white man, his determined effort to acquire protective qualities–that is, the proportion of being or having that enters into the composition of an ego. As I said earlier, it is from within that the Negro will seek admittance to the white sanctuary. The attitude derives from the intention.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 184

Hate must be acted out to persist. [fact]

Nor are we kept waiting. Abdoulaye Sadji, in Nini, offers us a description of how black men can behave in contact with Europeans. I have said that Negrophobes exist. It is not hatred of the Negro, however, that motivates them; they lack the courage for that, or they have lost it. Hate is not inborn; it has to be constantly cultivated, to be brought into being, in conflict with more or less recognized guilt complexes. Hate demands existence, and he who hates has to show his hate in appropriate actions and behavior; in a sense, he has to become hate. That is why the Americans have substituted discrimination for lynching.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 192

Mulatto marriage serves race preservation. [fact]

Analyzing various passages of Abdoulaye Sadji's story, I shall attempt to grasp the living reactions of the woman of color to the European. First of all, there are two such women: the Negress and the mulatto. The first has only one possibility and one concern: to turn white. The second wants not only to turn white but also to avoid slipping back. What indeed could be more illogical than a mulatto woman's acceptance of a Negro husband? For it must be understood once and for all that it is a question of saving the race.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 196

White beauty grants him his boldness. [contrarian]

Who is Mactar? He has passed his baccalaureate, he is an accountant in the Department of Rivers, and he is pursuing a perfectly stupid little stenographer, who has, however, the least disputable quality: She is almost white. Therefore one must apologize for taking the liberty of sending her a letter: "the utmost insolence, perhaps the first that any Negro had dared to attempt."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 200

Black women are forced to apologize for loving white men. [fact]

One must apologize for daring to offer black love to a white soul. This we encounter again in René Maran: the fear, the timorousness, the humility of the black man in bis relations with the white woman, or in any case with a woman whiter than he. Just as Mayotte Capécia tolerates anything from her lord, Andre, Mactar makes himself the slave of Nini, the mulatto. Prepared to sell his soul. But what is waiting for this boor is the law of plea in bar. The mulatto considers his letter an insult, an outrage to her honor as a "white lady."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 201

Recognition turns a mulatto into a master. [fact]

Something remarkable must have happened on the day when the white man declared his love to the mulatto. There was recognition, incorporation into a group that had seemed hermetic. The psychological minus-value, this feeling of insignificance and its corollary, the impossibility of reaching the light, totally vanished. From one day to the next, the mulatto went from the class of slaves to that of masters.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 207

Black women’s aesthetic judgment is racially biased. [fact]

The educated mulatto woman, especially if she is a student, engages in doubly equivocal behavior. She says, "I do not like the Negro because he is savage. Not savage in a cannibal way, but lacking refinement." An abstract point of view. And when one points out to her that in this respect some black people may be her superiors, she falls back on their "ugliness." A factitious point of view. Faced with the proofs of a genuine black esthetic, she professes to be unable to understand it; one tries then to explain its canon to her; the wings of her nose flare, there is a sharp intake of breath, "she is free to choose her own husband." As a last resort, the appeal to subjectivity.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 209

The speaker calls educated Black women’s anti-Black judgment a pose of refinement. [fact]

In Magie noire, Paul Morand described a similar phenomenon, but one has since learned to be leery of Paul Morand. From the psychological point of view, it may be interesting to consider the following problem. The educated mulatto woman, especially if she is a student, engages in doubly equivocal behavior. She says, "I do not like the Negro because he is savage. Not savage in a cannibal way, but lacking refinement." An abstract point of view. And when one points out to her that in this respect some black people may be her superiors, she falls back on their "ugliness." A factitious point of view. Faced with the proofs of a genuine black esthetic, she professes to be unable to understand it; one tries then to explain its canon to her; the wings of her nose flare, there is a sharp intake of breath, "she is free to choose her own husband." As a last resort, the appeal to subjectivity.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 209

Negress seeks entry into whiteness through internalization. [fact]

Whether one is dealing with Mayotte Capécia of Martinique or with Nini of Saint-Louis, the same process is to be observed. A bilateral process, an attempt to acquire-by internalizing them–assets that were originally prohibited. It is because the Negress feels inferior that she aspires to win admittance into the white world. In this endeavor she will seek the help of a phenomenon that we shall call affective erethism.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 213

Black identity breeds social neurosis under racism. [fact]

This work represents the sum of the experiences and observations of seven years; regardless of the area I have studied, one thing has struck me: The Negro enslaved by his inferiority, the white man enslaved by his superiority alike behave in accordance with a neurotic orientation. Therefore I have been led to consider their alienation in terms of psychoanalytical classifications. The Negro's behavior makes him akin to an obsessive neurotic type, or, if one prefers, he puts himself into a complete situational neurosis. In the man of color there is a constant effort to run away from his own individuality, to annihilate his own presence.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 214

He would not accept white recognition as a physician. [fact]

A few years ago I knew a Negro medical student. He had an agonizing conviction that he was not taken at his true worth–not on the university level, he explained, but as a human being. He had an agonizing conviction that he would never succeed in gaining recognition as a colleague from the whites in his profession and as a physician from his European patients. In such moments of fantasy intuition,25 the times most favorable26 to psychosis, he would get drunk. Finally, he enlisted one day in the army as a medical officer; and, he added, not for anything in the world would he agree to go to the colonies or to serve in a colonial unit. He wanted to have white men under his command. He was a boss; as such he was to be feared or respected. That was just what he wanted, what he strove for: to make white men adopt a Negro attitude toward him. In this way he was obtaining revenge for the imago that had always obsessed him: the frightened, trembling Negro, abased before the white overlord.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 215

Folklore persists when it expresses group identity. [fact]

It will be argued that this little tale is not authenticated; but simply that it could be born and survive through the years is an indication: It is no fallacy. For the anecdote renews a conflict that, active or dormant, is always real. Its persistence attests to the black world's endorsement. To say it another way, when a story flourishes in the heart of a folklore, it is because in one way or another it expresses an aspect of "the spirit of the group."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 230

Europe misrecognizes Black Europeans through colonial forgetting. [contrarian]

What are the terms of this problem? Jean Veneuse is a Negro. Born in the Antilles, he has lived in Bordeaux for years; so he is a European. But he is black; so he is a Negro. There is the conflict. He does not understand his own race, and the whites do not understand him. And, he observes, "The Europeans in general and the French in particular, not satisfied with simply ignoring the Negro of the colonies, repudiate the one whom they have shaped into their own image."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 232

Jean Veneuse doubts his own worth. [fact]

Above all, he wants to prove to the others that he is a man, their equal. But let us not be misled: Jean Veneuse is the man who has to be convinced. It is in the roots of his soul, as complicated as that of any European, that the doubt persists. If the expression may be allowed, Jean Veneuse is the lamb to be slaughtered. Let us make the effort.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 238

Jean Veneuse faces racial rejection from both sides. [fact]

In all good faith, Jean Veneuse "believed in that culture and set himself to love this new world he had discovered and conquered for his own use. What a blunder he had made! Arriving at maturity and going off to serve his adopted country in the land of his ancestors was enough to make him wonder whether he was not being betrayed by everything about him, for the white race would not accept him as one of its own and the black virtually repudiated him."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 243

European love is framed as culturally European. [fact]

In fact you are like us–you are "us." Your thoughts are ours. You behave as we behave, as we would behave. You think of yourself–others think of you–as a Negro? Utterly mistaken! You merely look like one. As for everything else, you think as a European. And so it is natural that you love as a European. Since European men love only European women, you can hardly marry anyone but a woman of the country where you have always lived, a woman of our good old France, your real and only country.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 249

He denies real kinship by calling her brown. [fact]

When the question is put directly, then, the white man agrees to give his sister to the black–but on one condition: You have nothing in common with real Negroes. You are not black, you are "extremely brown."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 251

Society denies black students full racial identity. [fact]

Society refuses to consider them genuine Negroes. The Negro is a savage, whereas the student is civilized. “You’re ‘us,’” Coulanges tells him; and if anyone thinks you are a Negro he is mistaken, because you merely look like one.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 252

European identity is defined against Blackness. [fact]

What a struggle to free himself of a purely subjective conflict. I am a white man, I was bom in Europe, all my friends are white. There are not eight Negroes in the city where I live. I think in French, France is my religion. I am a European, do you understand? I am not a Negro, and in order to prove it to you, I as a public employe am going to show the genuine Negroes the differences that separate me from them.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 256

Jean Veneuse rejects black identity while lacking self-knowledge. [contrarian]

When we read such passages we cannot help thinking of Félix Eboué, unquestionably a Negro, who saw his duty quite differently in the same circumstances. Jean Veneuse is not a Negro and does not wish to be a Negro. And yet, without his knowledge, a gulf has been created. There is something indefinable, irreversible, there is indeed the that within of Harold Rosenberg.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 261

Interracial marriage can symbolize rejection of racial prejudice. [contrarian]

Insofar as truly interracial marriage is concerned, one can legitimately wonder to what extent it may not represent for the colored spouse a kind of subjective consecration to wiping out in himself and in his own mind the color prejudice from which he has suffered so long. It would be interesting to investigate this in a given number of cases and perhaps to seek in this clouded motivation the underlying reason for certain interracial marriages entered into outside the normal conditions of a happy household. Some men or some women, in effect, by choosing partners of another race, marry persons of a class or a culture inferior to their own whom they would not have chosen as spouses in their own race and whose chief asset seems to be the assurance that the partner will achieve denaturalization and (to use a loathsome word) “deracialization.” Among certain people of color, the fact that they are marrying someone of the white race seems to have overridden every other consideration. In this fact they find access to complete equality with that illustrious race, the master of the world, the ruler of the peoples of color.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 263

Antillean migrants equated white women with manhood. [fact]

Talking recently with several Antilleans, I found that the dominant concern among those arriving in France was to go to bed with a white woman. As soon as their ships docked in Le Havre, they were off to the houses. Once this ritual of initiation into “authentic” manhood had been fulfilled, they took the train for Paris.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 266

Abandonment neurotics cultivate private resentment. [fact]

In a patient of the negative-aggressive type, obsession with the past and with its frustrations, its gaps, its defeats, paralyzes his enthusiasm for living. Generally more introverted than the positive-loving type, he has a tendency to go back over his past and present disappointments, building up in himself a more or less secret area of bitter, disillusioned resentments that often amounts to a kind of autism. But, unlike the genuine autistic person, the abandonment-neurotic is aware of this secret zone, which he cultivates and defends against every intrusion. More egocentric than the neurotic of the second type (positive-loving), he views everything in terms of himself. He has little capacity for disinterestedness: His aggressions and a constant need for vengeance inhibit his impulses. His retreat into himself does not allow him to have any positive experience that would compensate for his past. Hence the lack of self-esteem and therefore of affective security is virtually total in such cases; and as a result there is an overwhelming feeling of impotence in relation to life and to people, as well as a complete rejection of the feeling of responsibility.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 270

Vulnerability triggers self-protective fear in love. [causal]

Affective self-rejection invariably brings the abandonment-neurotic to an extremely painful and obsessive feeling of exclusion, of having no place anywhere, of being superfluous everywhere in an affective sense. . . . “I am The Other” is an expression that I have heard time and again in the language of the abandonment-neurotic. To be The Other” is to feel that one is always in a shaky position, to be always on guard, ready to be rejected and . . . unconsciously doing everything needed to bring about exactly this catastrophe.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 280

Self-rejection fuels persistent abandonment fear. [causal]

Affective self-rejection invariably brings the abandonment-neurotic to an extremely painful and obsessive feeling of exclusion, of having no place anywhere, of being superfluous everywhere in an affective sense. . . . "I am The Other" is an expression that I have heard time and again in the language of the abandonment-neurotic. To be The Other" is to feel that one is always in a shaky position, to be always on guard, ready to be rejected and . . . unconsciously doing everything needed to bring about exactly this catastrophe.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 280

Abandonment anxiety demands repeated proof of attachment. [fact]

The abandonment-neurotic demands proofs. He is not satisfied with isolated statements. He has no confidence. Before he forms an objective relation, he exacts repeated proofs from his partner. The essence of his attitude is “not to love in order to avoid being abandoned.” The abandonment-neurotic is insatiable. That is because he claims the right to constant amends. He wants to be loved completely, absolutely and forever.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 282

Jean Veneuse’s blackness is a retroactive explanation. [fact]

Jean Veneuse is a neurotic, and his color is only an attempt to explain his psychic structure. If this objective difference had not existed, he would have manufactured it out of nothing.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 292

Jean Veneuse is treated as blackness coincidentally, not essentially. [contrarian]

Jean Veneuse is a neurotic, and his color is only an attempt to explain his psychic structure. If this objective difference had not existed, he would have manufactured it out of nothing. … Jean Veneuse, alias Rene Maran, is neither more nor less than a black abandonment-neurotic. And he is put back into his place, his proper place. He is a neurotic who needs to be emancipated from his infantile fantasies. And I contend that Jean Veneuse represents not an example of black-white relations, but a certain mode of behavior in a neurotic who by coincidence is black.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 292

Neurotic structure emerges from internal conflict clusters. [fact]

The neurotic structure of an individual is simply the elaboration, the formation, the eruption within the ego, of conflictual clusters arising in part out of the environment and in part out of the purely personal way in which that individual reacts to these influences.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 299

Colonialism includes human attitudes toward historical conditions. [fact]

A quick analysis had seemed to avoid subjectivity in this field. M. Mannoni's study is sincere in purpose, for it proposes to prove the impossibility of explaining man outside the limits of his capacity for accepting or denying a given situation. Thus the problem of colonialism includes not only the interrelations of objective historical conditions but also human attitudes toward these conditions.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 312

Inferiority complexes can lie dormant in childhood. [fact]

I find myself opposing him when I read a sentence like this: "The fact that when an adult Malagasy is isolated in a different environment he can become susceptible to the classical type of inferiority complex proves almost beyond doubt that the germ of the complex was latent in him from childhood."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 314

Inferior feelings may predate colonization. [fact]

Now, since this is M. Mannoni's point of departure, why does he try to make the inferiority complex something that antedates colonization? Here one perceives the mechanism of explanation that, in psychiatry, would give us this: There are latent forms of psychosis that become overt as the result of a traumatic experience. Or, in somatic medicine, this: The appearance of varicose veins in a patient does not arise out of his being compelled to spend ten hours a day on his feet, but rather out of the constitutional weakness of his vein walls; his working conditions are only a complicating factor. And the insurance compensation expert to whom the case is submitted will find the responsibility of the employer extremely limited.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 317

France’s racism cannot be measured by regional comparisons alone. [contrarian]

Once and for all I will state this principle: A given society is racist or it is not. Until all the evidence is available, a great number of problems will have to be put aside. Statements, for example, that the north of France is more racist than the south, that racism is the work of underlings and hence in no way involves the ruling class, that France is one of the least racist countries in the world are the product of men incapable of straight thinking.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 318

Maurras framed anti-Jewish hatred as political, not biological. [fact]

I hope I may be forgiven for asking that those who take it on themselves to describe colonialism remember one thing: that it is Utopian to try to ascertain in what ways one kind of inhuman behavior differs from another kind of inhuman behavior. I have no desire to add to the problems of the world, but I should simply like to ask M. Mannoni whether he does not think that for a Jew the differences between the anti-Semitism of Maurras and that of Goebbels are imperceptible.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 320

South African racism is structural, not accidental. [contrarian]

What is South Africa? A boiler into which thirteen million blacks are clubbed and penned in by two and a half million whites. If the poor whites hate the Negroes, it is not, as M. Mannoni would have us believe, because "racialism is the work of petty officials, small traders, and colonials who have toiled much without great success." No; it is because the structure of South Africa is a racist structure:

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 325

Exploitation returns people to an improper place. [fact]

All forms of exploitation resemble one another. They all seek the source of their necessity in some edict of a Biblical nature. All forms of exploitation are identical because all of them are applied against the same "object": man. When one tries to examine the structure of this or that form of exploitation from an abstract point of view, one simply turns one's back on the major, basic problem, which is that of restoring man to his proper place.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 329

Radio reports confirmed Nazi brutality, not Hitler’s death. [contrarian]

When I turn on my radio, when I hear that Negroes have been lynched in America, I say that we have been lied to: Hitler is not dead; when I turn on my radio, when I learn that Jews have been insulted, mistreated, persecuted, I say that we have been lied to: Hitler is not dead; when, finally, I turn on my radio and hear that in Africa forced labor has been inaugurated and legalized, I say that we have certainly been lied to: Hitler is not dead.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 332

Nazism was legitimized before it targeted its enablers. [fact]

People are astounded, they are angry. They say: “How strange that is. But then it is only Nazism, it won’t last.” And they wait, and they hope; and they hide the truth from themselves: It is savagery, the supreme savagery, it crowns, it epitomizes the day-to-day savageries; yes, it is Nazism, but before they became its victims, they were its accomplices; that Nazism they tolerated before they succumbed to it, they exonerated it, they closed their eyes to it, they legitimated it because until then it had been employed only against non-European peoples; that Nazism they encouraged, they were responsible for it, and it drips, it seeps, it wells from every crack in western Christian civilization until it engulfs that civilization in a bloody sea.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 335

Nationwide complicity makes citizens blameworthy. [fact]

But, Francis Jeanson says, every citizen of a nation is responsible for the actions committed in the name of that nation: … You pride yourselves on keeping your distance from realities of a certain kind: so you allow a free hand to those who are immune to the most unhealthy climates because they create these climates themselves through their own conduct. And if, apparently, you succeed in keeping yourselves unsullied, it is because others dirty themselves in your place. You hire thugs, and, balancing the accounts, it is you who are the real criminals: for without you, without your blind indifference, such men could never carry out deeds that damn you as much as they shame those men.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 336

Identity labels can be externally misassigned. [fact]

Many times I have been stopped in broad daylight by policemen who mistook me for an Arab; when they discovered my origins, they were obsequious in their apologies; “Of course we know that a Martinican is quite different from an Arab.” I always protested violently, but I was always told, “You don’t know them.” Indeed, M. Mannoni, you are wrong.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 336

France’s racial denial can mask racism. [contrarian]

I said just above that South Africa has a racist structure. Now I shall go farther and say that Europe has a racist structure. It is plain to see that M. Mannoni has no interest in this problem, for he says, “France is unquestionably one of the least racialist-minded countries in the world.” Be glad that you are French, my fine Negro friends, even if it is a little hard, for your counterparts in America are much worse off than you. . . . France is a racist country, for the myth of the bad nigger is part of the collective unconscious.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 338

White South Africans did not see themselves as inferior. [fact]

Once again one asks the author to be somewhat more careful. A white man in a colony has never felt inferior in any respect; as M. Mannoni expresses it so well, “He will be deified or devoured.” The colonial, even though he is “in the minority,” does not feel that this makes him inferior. In Martinique there are two hundred whites who consider themselves superior to 300,000 people of color. In South Africa there are two million whites against almost thirteen million native people, and it has never occurred to a single black to consider himself superior to a member of the white minority.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 340

Racists manufacture colonized peoples' inferiority. [contrarian]

While the discoveries of Adler and the no less interesting findings of Kuenkel explain certain kinds of neurotic behavior, one cannot infer from them laws that would apply to immeasurably complex problems. The feeling of inferiority of the colonized is the correlative to the European’s feeling of superiority. Let us have the courage to say it outright: It is the racist who creates his inferior.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 341

Racism creates the colonized person's inferiority. [contrarian]

The feeling of inferiority of the colonized is the correlative to the European's feeling of superiority. Let us have the courage to say it outright: It is the racist who creates his inferior.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 341

Assimilation does not shield Black people from rejection. [contrarian]

What becomes of the exceptional cases of which M. Mannoni tells us? Quite simply, they are the instances in which the educated Negro suddenly discovers that he is rejected by a civilization which he has none the less assimilated. So that the conclusion would come to this: To the extent to which M. Mannoni’s real typical Malagasy takes on “dependent behavior,” all is for the best; if, however, he forgets his place, if he takes it into his head to be the equal of the European, then the said European is indignant and casts out the upstart–who, in such circumstance, in this “exceptional case,” pays for his own rejection of dependence with an inferiority complex.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 343

Dependence can deepen security when others respond well. [fact]

Earlier, we uncovered in certain of M. Mannoni’s statements a mistake that is at the very least dangerous. In effect, he leaves the Malagasy no choice save between inferiority and dependence. These two solutions excepted, there is no salvation. “When he [the Malagasy] has succeeded in forming such relations [of dependence] with his superiors, his inferiority no longer troubles him: everything is all right. When he fails to establish them, when his feeling of insecurity is not assuaged in this way, he suffers a crisis.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 344

Mannoni ignores Malagasy historical change. [fact]

After having sealed the Malagasy into his own customs, after having evolved a unilateral analysis of his view of the world, after having described the Malagasy within a closed circle, after having noted that the Malagasy has a dependency relation toward his ancestors–a strong tribal characteristic–M. Mannoni, in defiance of all objectivity, applies his conclusions to a bilateral totality–deliberately ignoring the fact that, since Galliéni, the Malagasy has ceased to exist.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 346

Preparation for novelty reshapes the self. [fact]

The reactions and the behavior patterns to which the arrival of the European in Madagascar gave rise were not tacked on to a pre-existing set. There was no addition to the earlier psychic whole. If, for instance, Martians undertook to colonize the earth men—not to initiate them into Martian culture but to colonize them—we should be doubtful of the persistence of any earth personality. … To understand something new requires that we make ourselves ready for it, that we prepare ourselves for it; it entails the shaping of a new form. It is Utopian to expect the Negro or the Arab to exert the effort of embedding abstract values into his outlook on the world when he has barely enough food to keep alive.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 347

French arrival transformed Malagasy identity and psychology. [fact]

What M. Mannoni has forgotten is that the Malagasy alone no longer exists; he has forgotten that the Malagasy exists with the European. The arrival of the white man in Madagascar shattered not only its horizons but its psychological mechanisms. … A new element having been introduced, it became mandatory to seek to understand the new relationships.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 353

Malagasy identity is relationally defined by colonial encounter. [fact]

It is of course obvious that the Malagasy can perfectly well tolerate the fact of not being a white man. A Malagasy is a Malagasy; or, rather, no, not he is a Malagasy but, rather, in an absolute sense he "lives" his Malagasyhood. If he is a Malagasy, it is because the white man has come, and if at a certain stage he has been led to ask himself whether he is indeed a man, it is because his reality as a man has been challenged.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 357

Black oppression drives a quest for recognition. [fact]

I begin to suffer from not being a white man to the degree that the white man imposes discrimination on me, makes me a colonized native, robs me of all worth, all individuality, tells me that I am a parasite on the world, that I must bring myself as quickly as possible into step with the white world, "that I am a brute beast, that my people and I are like a walking dung-heap that disgustingly fertilizes sweet sugar cane and silky cotton, that I have no use in the world." Then I will quite simply try to make myself white: that is, I will compel the white man to acknowledge that I am human.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 357

White supremacy drives self-hatred in the oppressed. [fact]

In other words, I begin to suffer from not being a white man to the degree that the white man imposes discrimination on me, makes me a colonized native, robs me of all worth, all individuality, tells me that I am a parasite on the world, that I must bring myself as quickly as possible into step with the white world, "that I am a brute beast, that my people and I are like a walking dung-heap that disgustingly fertilizes sweet sugar cane and silky cotton, that I have no use in the world." Then I will quite simply try to make myself white: that is, I will compel the white man to acknowledge that I am human. But, M. Mannoni will counter, you cannot do it, because in your depths there is a dependency complex.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 357

Psychoanalysis must address both individuals and society. [fact]

What emerges then is the need for combined action on the individual and on the group. As a psychoanalyst, I should help my patient to become conscious of his unconscious and abandon his attempts at a hallucinatory whitening, but also to act in the direction of a change in the social structure.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 362

Conscious awareness does not govern motivation alone. [fact]

In other words, the black man should no longer be confronted by the dilemma, turn white or disappear; but he should be able to take cognizance of a possibility of existence. In still other words, if society makes difficulties for him because of his color, if in his dreams I establish the expression of an unconscious desire to change color, my objective will not be that of dissuading him from it by advising him to "keep his place"; on the contrary, my objective, once his motivations have been brought into consciousness, will be to put him in a position to choose action (or passivity) with respect to the real source of the conflict–that is, toward the social structures.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 363

Racial blame can be redirected across minority groups. [causal]

Some ten years ago I was astonished to learn that the North Africans despised men of color. It was absolutely impossible for me to make any contact with the local population. I left Africa and went back to France without having fathomed the reason for this hostility. Meanwhile, certain facts had made me think. The Frenchman does not like the Jew, who does not like the Arab, who does not like the Negro . . . The Arab is told: “If you are poor, it is because the Jew has bled you and taken everything from you.” The Jew is told: “You are not of the same class as the Arab because you are really white and because you have Einstein and Bergson.” The Negro is told: “You are the best soldiers in the French Empire; the Arabs think they are better than you, but they are wrong.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 372

Colonial power shifts guilt onto the colonized. [fact]

Unable to stand up to all the demands, the white man sloughs off his responsibilities. I have a name for this procedure: the racial distribution of guilt. … Whenever there has been any attempt at insurrection, the military authorities have ordered only colored soldiers into action. They were “men of color” who nullified the liberation efforts of other “men of color,” proof that there was no reason to universalize the procedure: If those good-for-nothings, the Arabs, took it into their heads to revolt, it was not in the name of any acceptable principle but purely and simply in order to get rid of their “bicot” unconscious.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 373

Society can outweigh the individual in some cases. [fact]

What must be done is to restore this dream to its proper time, and this time is the period during which eighty thousand natives were killed–that is to say, one of every fifty persons in the population; and to its proper place, and this place is an island of four million people, at the center of which no real relationship can be established, where dissension breaks out in every direction, where the only masters are lies and demagogy. One must concede that in some circumstances the socius is more important than the individual.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 375

The bull is not a phallic symbol. [fact]

The enraged black bull is not the phallus. The two black men are not the two father figures–the one standing for the real father, the other for the primal ancestor. Here is what a thorough analysis could have found, on the same basis of M. Mannoni’s conclusions in his section, “The Cult of the Dead and the Family.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 377

Departure dreams often signal life change. [fact]

The rifle of the Senegalese soldier is not a penis but a genuine rifle, model Lebel 1916. The black bull and the robber are not lolos–“reincarnated souls”–but actually the irruption of real fantasies into sleep. What does this stereotype, this central theme of the dreams, represent if not a return to the right road? Sometimes we have black soldiers, sometimes black bulls speckled with white at the head, sometimes, outright, a white woman who is quite kind. What do we find in all these dreams if not this central idea: “To depart from routine is to wander in pathless woods; there you will meet the bull who will send you running helter-skelter home again.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 378

Fanon rejects precolonial explanations of Malagasy dependency. [contrarian]

As for the Malagasy “dependency complex,” at least in the only form in which we can reach it and analyze it, it too proceeds from the arrival of white colonizers on the island. From its other form, from this original complex in its pure state that supposedly characterized the Malagasy mentality throughout the whole precolonial period, it appears to me that M. Mannoni lacks the slightest basis on which to ground any conclusion applicable to the situation, the problems, or the potentialities of the Malagasy in the present time.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 383

Other people’s attention can restore one’s sense of self. [fact]

I came into the world imbued with the will to find a meaning in things, my spirit filled with the desire to attain to the source of the world, and then I found that I was an object in the midst of other objects. … Sealed into that crushing objecthood, I turned beseechingly to others. Their attention was a liberation, running over my body suddenly abraded into nonbeing, endowing me once more with an agility that I had thought lost, and by taking me out of the world, restoring me to it. But just as I reached the other side, I stumbled, and the movements, the attitudes, the glances of the other fixed me there, in the sense in which a chemical solution is fixed by a dye. I was indignant; I demanded an explanation. Nothing happened. I burst apart. Now the fragments have been put together again by another self.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 385

Colonized people lack ontological self-understanding. [fact]

As long as the black man is among his own, he will have no occasion, except in minor internal conflicts, to experience his being through others. There is of course the moment of “being for others,” of which Hegel speaks, but every ontology is made unattainable in a colonized and civilized society. It would seem that this fact has not been given sufficient attention by those who have discussed the question. In the Weltanschauung of a colonized people there is an impurity, a flaw that outlaws any ontological explanation. Someone may object that this is the case with every individual, but such an objection merely conceals a basic problem. Ontology–once it is finally admitted as leaving existence by the wayside–does not permit us to understand the being of the black man. For not only must the black man be black; he must be black in relation to the white man. Some critics will take it on themselves to remind us that this proposition has a converse. I say that this is false. The black man has no ontological resistance in the eyes of the white man. Overnight the Negro has been given two frames of reference within which he has had to place himself. His metaphysics, or, less pretentiously, his customs and the sources on which they were based, were wiped out because they were in conflict with a civilization that he did not know and that imposed itself on him.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 387

Blackness was defined through racist stereotypes. [fact]

I was responsible at the same time for my body, for my race, for my ancestors. I subjected myself to an objective examination, I discovered my blackness, my ethnic characteristics; and I was battered down by tom-toms, cannibalism, intellectual deficiency, fetichism, racial defects, slave-ships, and above all else, above all: “Sho' good eatin'.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 396

Blackness becomes dehumanized through racist fear. [fact]

My body was given back to me sprawled out, distorted, recolored, clad in mourning in that white winter day. The Negro is an animal, the Negro is bad, the Negro is mean, the Negro is ugly; look, a nigger, it's cold, the nigger is shivering, the nigger is shivering because he is cold, the little boy is trembling because he is afraid of the nigger, the nigger is shivering with cold, that cold that goes through your bones, the handsome little boy is trembling because he thinks that the nigger is quivering with rage, the little white boy throws himself into his mother's arms: Mama, the nigger's going to eat me up.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 404

Jews are often treated as a racial outsider despite assimilation. [contrarian]

All the same, the Jew can be unknown in his Jewishness. He is not wholly what he is. One hopes, one waits. His actions, his behavior are the final determinant. He is a white man, and, apart from some rather debatable characteristics, he can sometimes go unnoticed. He belongs to the race of those who since the beginning of time have never known cannibalism. What an idea, to eat one's father! Simple enough, one has only not to be a nigger. Granted, the Jews are harassed–what am I thinking of? They are hunted down, exterminated, cremated. But these are little family quarrels. The Jew is disliked from the moment he is tracked down. But in my case everything takes on a new guise. I am given no chance. I am overdetermined from without. I am the slave not of the "idea" that others have of me but of my own appearance.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 416

Race becomes unstable through interracial intimacy. [fact]

I turn away from these inspectors of the Ark before the Flood and I attach myself to my brothers, Negroes like myself. To my horror, they too reject me. They are almost white. And besides they are about to marry white women. They will have children faintly tinged with brown. Who knows, perhaps little by little. . . .

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 421

Senegalese professionals disproved the Negro stereotype. [fact]

But in my own case I knew that these statements were false. There was a myth of the Negro that had to be destroyed at all costs. The time had long since passed when a Negro priest was an occasion for wonder. We had physicians, professors, statesmen. Yes, but something out of the ordinary still clung to such cases. "We have a Senegalese history teacher. He is quite bright. . . . Our doctor is colored. He is very gentle."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 424

Black doctors face constant professional scrutiny. [fact]

It was always the Negro teacher, the Negro doctor; brittle as I was becoming, I shivered at the slightest pretext. I knew, for instance, that if the physician made a mistake it would be the end of him and of all those who came after him. What could one expect, after all, from a Negro physician? As long as everything went well, he was praised to the skies, but look out, no nonsense, under any conditions I The black physician can never be sure how close he is to disgrace. I tell you, I was walled in: No exception was made for my refined manners, or my knowledge of literature, or my understanding of the quantum theory.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 425

Skin tone determines racial judgment beyond education. [fact]

It [colour prejudice] is nothing more than the unreasoning hatred of one race for another, the contempt of the stronger and richer peoples for those whom they consider inferior to themselves and the bitter resentment of those who are kept in subjection and are so frequently insulted. As colour is the most obvious outward manifestation of race it has been made the criterion by which men are judged, irrespective of their social or educational attainments.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 427

Reason cannot survive collective hatred. [fact]

I had read it rightly. It was hate; I was hated, despised, detested, not by the neighbor across the street or my cousin on my mother's side, but by an entire race. I was up against something unreasoned. The psychoanalysts say that nothing is more traumatizing for the young child than his encounters with what is rational. I would personally say that for a man whose only weapon is reason there is nothing more neurotic than contact with unreason.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 428

The scholars equated race with cannibal genes. [contrarian]

In the first chapter of the history that the others have compiled for me, the foundation of cannibalism has been made eminently plain in order that I may not lose sight of it. My chromosomes were supposed to have a few thicker or thinner genes representing cannibalism. In addition to the sex-linked, the scholars had now discovered the raciallinked. What a shameful science!

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 437

Antisemitism always targets Black people too. [contrarian]

At first thought it may seem strange that the anti-Semite's outlook should be related to that of the Negrophobe. It was my philosophy professor, a native of the Antilles, who recalled the fact to me one day: “Whenever you hear anyone abuse the Jews, pay attention, because he is talking about you.” And I found that he was universally right–by which I meant that I was answerable in my body and in my heart for what was done to my brother. Later I realized that he meant, quite simply, an anti-Semite is inevitably anti-Negro.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 443

Black resistance chose irrationality as a weapon. [contrarian]

I had rationalized the world and the world had rejected me on the basis of color prejudice. Since no agreement was possible on the level of reason, I threw myself back toward unreason. It was up to the white man to be more irrational than I. Out of the necessities of my struggle I had chosen the method of regression, but the fact remained that it was an unfamiliar weapon; here I am at home; I am made of the irrational; I wade in the irrational. Up to the neck in the irrational. And now how my voice vibrates!

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 447

Rituals invoke sacred presence through bodily acts. [definitional]

Face to face with these rites, I am doubly alert. Black magic! Orgies, witches' sabbaths, heathen ceremonies, amulets. Coitus is an occasion to call on the gods of the clan. It is a sacred act, pure, absolute, bringing invisible forces into action. What is one to think of all these manifestations, all these initiations, all these acts? From very direction I am assaulted by the obscenity of dances and of words.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 473

His gestures became a weapon of escape. [fact]

My “speaking hands” tore at the hysterical throat of the world. The white man had the anguished feeling that I was escaping from him and that I was taking something with me.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 478

Négritude poets linked racial pride to Marxism. [fact]

That is easy to say, but less easy to think out. And undoubtedly it is no coincidence that the most ardent poets of negritude are at the same time militant Marxists.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 506

Negritude functions as a dialectical negation of white supremacy. [contrarian]

But that does not prevent the idea of race from mingling with that of class: The first is concrete and particular, the second is universal and abstract; the one stems from what Jaspers calls understanding and the other from intellection; the first is the result of a psychobiological syncretism and the second is a methodical construction based on experience. In fact, negritude appears as the minor term of a dialectical progression: The theoretical and practical assertion of the supremacy of the white man is its thesis; the position of negritude as an antithetical value is the moment of negativity. But this negative moment is insufficient by itself, and the Negroes who employ it know this very well; they know that it is intended to prepare the synthesis or realization of the human in a society without races. Thus negritude is the root of its own destruction, it is a transition and not a conclusion, a means and not an ultimate end.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 507

Poetry follows historical upheaval in its own form. [fact]

And Sartre's mistake was not only to seek the source of the source but in a certain sense to block that source: … Will the source of Poetry be dried up? Or will the great black flood, in spite of everything, color the sea into which it pours itself? It does not matter: Every age has its own poetry; in every age the circumstances of history choose a nation, a race, a class to take up the torch by creating situations that can be expressed or transcended only through Poetry; sometimes the poetic impulse coincides with the revolutionary impulse, and sometimes they take different courses. Today let us hail the turn of history that will make it possible for the black men to utter "the great Negro cry with a force that will shake the pillars of the world" (Césaire).

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 509

Bigger Thomas fears exposure to his own identity. [fact]

It is Bigger Thomas–he is afraid, he is terribly afraid. He is afraid, but of what is he afraid? Of himself. No one knows yet who he is, but he knows that fear will fill the world when the world finds out. And when the world knows, the world always expects something of the Negro. He is afraid lest the world know, he is afraid of the fear that the world would feel if the world knew.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 549

He sees himself as a theater spectacle. [fact]

The Negro is a toy in the white man's hands; so, in order to shatter the hellish cycle, he explodes. I cannot go to a film without seeing myself. I wait for me. In the interval, just before the film starts, I wait for me. The people in the theater are watching me, examining me, waiting for me. A Negro groom is going to appear. My heart makes my head swim.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 554

The speaker rejects forced humility and affirms his own vast inner life. [fact]

The crippled veteran of the Pacific war says to my brother, "Resign yourself to your color the way I got used to my stump; we're both victims." … Nevertheless with all my strength I refuse to accept that amputation. I feel in myself a soul as immense as the world, truly a soul as deep as the deepest of rivers, my chest has the power to expand without limit. I am a master and I am advised to adopt the humility of the cripple. Yesterday, awakening to the world, I saw the sky turn upon itself utterly and wholly. I wanted to rise, but the disemboweled silence fell back upon me, its wings paralyzed. Without responsibility, straddling Nothingness and Infinity, I began to weep.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 556

The family mirrors the nation’s structure. [fact]

In Europe the family represents in effect a certain fashion in which the world presents itself to the child. There are close connections between the structure of the family and the structure of the nation. Militarization and the centralization of authority in a country automatically entail a resurgence of the authority of the father. In Europe and in every country characterized as civilized or civilizing, the family is a miniature of the nation. As the child emerges from the shadow of his parents, he finds himself once more among the same laws, the same principles, the same values. A normal child that has grown up in a normal family will be a normal man. There is no disproportion between the life of the family and the life of the nation.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 559

Family authority shapes how children learn obedience. [fact]

Ultimately the individual assimilates all the authorities that he meets to the authority of the parents: He perceives the present in terms of the past. Like all other human conduct, behavior toward authority is something learned. And it is learned in the heart of a family that can be described, from the psychological point of view, by the form of organization peculiar to it–that is, by the way in which its authority is distributed and exercised.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 562

White contact destabilizes Black children. [fact]

But–and this is a most important point–we observe the opposite in the man of color. A normal Negro child, having grown up within a normal family, will become abnormal on the slightest contact with the white world.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 563

Colonial power made Africans internalize the master’s authority. [fact]

A drama is enacted every day in colonized countries. How is one to explain, for example, that a Negro who has passed his baccalaureate and has gone to the Sorbonne to study to become a teacher of philosophy is already on guard before any conflictual elements have coalesced round him? René Ménil accounted for this reaction in Hegelian terms. In his view it was “the consequence of the replacement of the repressed [African] spirit in the consciousness of the slave by an authority symbol representing the Master, a symbol implanted in the subsoil of the collective group and charged with maintaining order in it as a garrison controls a conquered city.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 568

Black trauma often lacks a single triggering event. [fact]

How is the persistence of this reaction in the twentieth century to be explained when in other ways there is complete identification with the white man? Very often the Negro who becomes abnormal has never had any relations with whites. Has some remote experience been repressed in his unconscious? Did the little black child see his father beaten or lynched by a white man? Has there been a real traumatism? To all of this we have to answer no. Well, then?

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 569

America used myths of noble and savage Indians to ease guilt. [contrarian]

With very rare exceptions, every American child who was six years old in 1938 had therefore assimilated at the very least 18,000 scenes of ferocious tortures and bloody violence. . . . Except the Boers, the Americans are the only modern nation that within living memory has completely driven the autochthonous population off the soil that it had occupied. America alone, then, could have had an uneasy national conscience to lull by creating the myth of the “Bad Injun,” in order later to be able to bring back the historic figure of the Noble Redskin vainly defending his lands against invaders armed with rifles and Bibles; the punishment that we deserve can be averted only by denying responsibility for the wrong and throwing the blame on the victim; by proving–at least to our own satisfaction–that by striking the first and only blow we were acting solely on the legitimate ground of defense.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 571

Gift refusal can express disappointment, not greed. [fact]

The black schoolboy in the Antilles, who in his lessons is forever talking about “our ancestors, the Gauls,” identifies himself with the explorer, the bringer of civilization, the white man who carries truth to savages–an all-white truth. There is identification–that is, the young Negro subjectively adopts a white man’s attitude. He invests the hero, who is white, with all his own aggression–at that age closely linked to sacrificial dedication, a sacrificial dedication permeated with sadism. An eight-year-old child who offers a gift, even to an adult, cannot endure a refusal. Little by little, one can observe in the young Antillean the formation and crystallization of an attitude and a way of thinking and seeing that are essentially white. When in school he has to read stories of savages told by white men, he always thinks of the Senegalese. As a schoolboy, I had many occasions to spend whole hours talking about the supposed customs of the savage Senegalese. In what was said there was a lack of awareness that was at the very least paradoxical. Because the Antillean does not think of himself as a black man; he thinks of himself as an Antillean. The Negro lives in Africa. Subjectively, intellectually, the Antillean conducts himself like a white man. But he is a Negro. That he will learn once he goes to Europe; and when he hears Negroes mentioned he will recognize that the word includes himself as well as the Senegalese.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 572

The family molds people for social life. [fact]

The white family is the agent of a certain system. The society is indeed the sum of all the families in it. The family is an institution that prefigures a broader institution: the social or the national group. Both turn on the same axes. The white family is the workshop in which one is shaped and trained for life in society. “The family structure is internalized in the superego,” Marcus says, “and projected into political [though I would say social] behavior.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 574

Antilleans in France inhabit a double identity. [fact]

As long as he remains among his own people, the little black follows very nearly the same course as the little white. But if he goes to Europe, he will have to reappraise his lot. For the Negro in France, which is his country, will feel different from other people. One can hear the glib remark: The Negro makes himself inferior. But the truth is that he is made inferior. The young Antillean is a Frenchman called upon constantly to live with white compatriots. Now, the Antillean family has for all practical purposes no connection with the national–that is, the French, or European–structure. The Antillean has therefore to choose between his family and European society; in other words, the individual who climbs up into society –white and civilized–tends to reject his family–black and savage–on the plane of imagination, in accord with the childhood Erlebnisse that we discussed earlier.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 575

Blackness triggers white anxiety in Fanon’s account. [fact]

The Negro is a phobogenic object, a stimulus to anxiety. From the patient treated by Sérieux and Capgras12 to the girl who confides to me that to go to bed with a Negro would be terrifying to her, one discovers all the stages of what I shall call the Negro-phobogenesis. There has been much talk of psychoanalysis in connection with the Negro. Distrusting the ways in which it might be applied, I have preferred to call this chapter “The Negro and Psychopathology,” well aware that Freud and Adler and even the cosmic Jung did not think of the Negro in all their investigations. And they were quite right not to have. It is too often forgotten that neurosis is not a basic element of human reality. Like it or not, the Oedipus complex is far from coming into being among Negroes. It might be argued, as Malinowski contends, that the matriarchal structure is the only reason for its absence. But, putting aside the question whether the ethnologists are not so imbued with the complexes of their own civilization that they are compelled to try to find them duplicated in the peoples they study, it would be relatively easy for me to show that in the French Antilles 97 per cent of the families cannot produce one Oedipal neurosis. This incapacity is one on which we heartily congratulate ourselves.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 584

Blackness in the Antilles is socially constructed. [fact]

With the exception of a few misfits within the closed environment, we can say that every neurosis, every abnormal manifestation, every affective erethism in an Antillean is the product of his cultural situation. In other words, there is a constellation of postulates, a series of propositions that slowly and subtly–with the help of books, newspapers, schools and their texts, advertisements, films, radio–work their way into one’s mind and shape one’s view of the world of the group to which one belongs. In the Antilles that view of the world is white because no black voice exists. The folklore of Martinique is meager, and few children in Fort-de-France know the stories of “Compè Lapin,” twin brother of the Br’er Rabbit of Louisiana’s Uncle Remus. A European familiar with the current trends of Negro poetry, for example, would be amazed to learn that as late as 1940 no Antillean found it possible to think of himself as a Negro. It was only with the appearance of Aimé Césaire that the acceptance of negritude and the statement of its claims began to be perceptible. The most concrete proof of this, furthermore, is that feeling which pervades each new generation of students arriving in Paris: It takes them several weeks to recognize that contact with Europe compels them to face a certain number of problems that until their arrival had never touched them. And yet these problems were by no means invisible.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 585

White media shapes Antillean self-understanding. [fact]

With the exception of a few misfits within the closed environment, we can say that every neurosis, every abnormal manifestation, every affective erethism in an Antillean is the product of his cultural situation. In other words, there is a constellation of postulates, a series of propositions that slowly and subtly–with the help of books, newspapers, schools and their texts, advertisements, films, radio–work their way into one's mind and shape one's view of the world of the group to which one belongs. In the Antilles that view of the world is white because no black voice exists.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 585

White contact can trigger ego collapse. [fact]

What am I getting at? Quite simply this: When the Negro makes contact with the white world, a certain sensitizing action takes place. If his psychic structure is weak, one observes a collapse of the ego. The black man stops behaving as an actional person. The goal of his behavior will be The Other (in the guise of the white man), for The Other alone can give him worth. That is on the ethical level: self-esteem. But there is something else.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 587

Sexual fear can mix with disgust in women. [fact]

The difficulty indicated here is this: Was there a trauma harmful to security in the case of the young woman whom we mentioned a little earlier? In the majority of Negrophobic men has there been an attempt at rape? An attempt at fellatio? Proceeding with complete orthodoxy, we should be led by the application of analytic conclusions to this: If an extremely frightening object, such as a more or less imaginary attacker, arouses terror, this is also–for most often such cases are those of women –and especially a terror mixed with sexual revulsion.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 589

Phobic objects arise from prior affect, not randomness. [fact]

The choice of the phobic object is therefore overdetermined. This object does not come at random out of the void of nothingness; in some situation it has previously evoked an affect in the patient. His phobia is the latent presence of this affect at the root of his world; there is an organization that has been given a form. For the object, naturally, need not be there, it is enough that somewhere it exist: It is a possibility.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 589

Negrophobic fear masks sexual desire. [contrarian]

Most of the time the women made involuntary gestures of flight, of withdrawing, their faces filled with a fear that was not feigned. And yet the Negroes who asked them to dance would have been utterly unable to commit any act at all against them, even if they had wished to do so. The behavior of these women is clearly understandable from the standpoint of imagination. That is because the Negrophobic woman is in fact nothing but a putative sexual partner–just as the Negrophobic man is a repressed homosexual.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 591

Black women were often cast as sexually abnormal. [fact]

All the Negrophobic women I have known had abnormal sex lives. Their husbands had left them; or they were widows and they were afraid to find a substitute for the dead husband; or they were divorced and they had doubts at the thought of a new object investment. All of them endowed the Negro with powers that other men (husbands, transient lovers) did not have.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 596

The speaker linked orgasm to racist fantasy. [fact]

A prostitute told me that in her early days the mere thought of going to bed with a Negro brought on an orgasm. She went in search of Negroes and never asked them for money. But, she added, “going to bed with them was no more remarkable than going to bed with white men. It was before I did it that I had the orgasm. I used to think about (imagine) all the things they might do to me: and that was what was so terrific.”

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 597

The book’s racism is framed as a white author’s hoax. [fact]

Another woman developed a Negrophobia after she had read J’irai cracher sur vos tombes. I tried to demonstrate the irrationality of her position by pointing out to her that victimized white women were as sick as the Negro. Besides, I added, this was no case of black vengeance, as the title of the book might seem to imply, because the author was a white man, Boris Vian. I had to accept the futility of all such efforts. That young woman did not want to listen.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 598

Lynching often served as sexual revenge. [fact]

Still on the genital level, when a white man hates black men, is he not yielding to a feeling of impotence or of sexual inferiority? Since his ideal is an infinite virility, is there not a phenomenon of diminution in relation to the Negro, who is viewed as a penis symbol? Is the lynching of the Negro not a sexual revenge?

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 598

Race is coded through sexual associations. [fact]

If one wants to understand the racial situation psycho-analytically, not from a universal viewpoint but as it is experienced by individual consciousnesses, considerable importance must be given to sexual phenomena. In the case of the Jew, one thinks of money and its cognates. In that of the Negro, one thinks of sex.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 599

Tactile delusions can trigger compulsive washing. [fact]

On a clinical level, I am reminded of the story of the young woman who suffered from a kind of tactile delirium, constantly washing her hands and arms ever since the day a Jew had been introduced to her.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 600

Racial cues reduced Negro-associated test responses. [fact]

It is interesting to note that one in fifty reacted to the word Negro with Nazi or SS; when one knows the emotional meaning of the SS image, one recognizes that the difference from the other answers is negligible. Let me add that some Europeans helped me by giving the test to their acquaintances: In such cases the proportion went up notably. From this result one must acknowledge the effect of my being a Negro: Unconsciously there was a certain reticence.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 610

The passage frames Black men as hypersexualized objects. [contrarian]

When one reads this passage a dozen times and lets oneself go–that is, when one abandons oneself to the movement of its images–one is no longer aware of the Negro but only of a penis; the Negro is eclipsed. He is turned into a penis. He is a penis. It is easy to imagine what such descriptions can stimulate in a young girl in Lyon. Horror? Lust? Not indifference, in any case. Now, what is the truth? The average length of the penis among the black men of Africa, Dr. Pales says, rarely exceeds 120 millimeters (4.6244 inches). Testut, in his Traité d'anatomie humaine, offers the same figure for the European. But these are facts that persuade no one. The white man is convinced that the Negro is a beast; if it is not the length of the penis, then it is the sexual potency that impresses him. Face to face with this man who is "different from himself," he needs to defend himself. In other words, to personify The Other.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 616

White prejudice stems from their own unconscious frustration. [causal]

But Harris always had the feeling of being handicapped. Therefore Wolfe sees him as frustrated–but not after the classic schema: It was the very essence of the man that made it impossible for him to exist in the “natural” way of the Negro. No one had barred him from it; it was just impossible for him. Not prohibited, but unrealizable. And it is because the white man feels himself frustrated by the Negro that he seeks in turn to frustrate the black, binding him with prohibitions of all kinds. And here again the white man is the victim of his unconscious.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 626

White ambivalence toward Black people persists. [fact]

The Remus stories are a monument to the ambivalence of the South. Harris, the archetype of the southerner, went in search of the Negro’s love and claimed that he had won it (the grin of Uncle Remus). But at the same time he was striving for the Negro’s hatred (Br’er Rabbit), and he reveled in it, in an unconscious orgy of masochism–very possibly punishing himself for not being the black man, the stereotype of the black man, the prodigious “giver.” Is it not possible that the white South, and perhaps the majority of white America, often behave in the same way in their relations with the Negro?

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 627

Black boys absorb family violence into racialized anger. [fact]

Here is my own view of the matter. First the little girl sees a sibling rival beaten by the father, a libidinal aggressive. At this stage (between the ages of five and nine), the father, who is now the pole of her libido, refuses in a way to take up the aggression that the little girl's unconscious demands of him. At this point, lacking support, this free-floating aggression requires an investment. Since the girl is at the age in which the child begins to enter the folklore and the culture along roads that we know, the Negro becomes the predestined depositary of this aggression. If we go farther into the labyrinth, we discover that when a woman lives the fantasy of rape by a Negro, it is in some way the fulfillment of a private dream, of an inner wish. Accomplishing the phenomenon of turning against self, it is the woman who rapes herself.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 635

Blackness is cast as moral evil in Western discourse. [fact]

The Negro is the genital. Is this the whole story? Unfortunately not. The Negro is something else. Here again we find the Jew. He and I may be separated by the sexual question, but we have one point in common. Both of us stand for Evil. The black man more so, for the good reason that he is black. Is not whiteness in symbols always ascribed in French to Justice, Truth, Virginity? I knew an Antillean who said of another Antillean, "His body is black, his language is black, his soul must be black too." This logic is put into daily practice by the white man. The black man is the symbol of Evil and Ugliness.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 636

Jews were cast as the enemy of Aryan order. [fact]

The Jew, authentic or inauthentic, is struck down by the fist of the "salaud." His situation is such that everything he does is bound to turn against him. For naturally the Jew prefers himself, and it happens that he forgets his Jewishness, or hides it, hides himself from it. That is because he has then admitted the validity of the Aryan system. There are Good and Evil. Evil is Jewish. Everything Jewish is ugly. Let us no longer be Jews. I am no longer a Jew. Down with the Jews. In such circumstances, these are the most aggressive.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 641

Anti-Semitic reaction breeds Jewish self-denial. [causal]

In order to react against anti-Semitism, the Jew turns himself into an anti-Semite. This is what Sartre presents in The Reprieve, in which Birnenschatz finally acts out his disavowal with an intensity that borders on delirium. We shall see that the word is not too strong.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 642

Manichean delirium pairs opposites like good and evil. [fact]

Good-Evil, Beauty-Ugliness, White-Black: such are the characteristic pairings of the phenomenon that, making use of an expression of Dide and Guiraud, we shall call "manicheism delirium."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 644

White society destroyed African tradition without replacement. [fact]

In the case of the African especially, white society has smashed his old world without giving him a new one. It has destroyed the traditional tribal foundations of his existence and it blocks the road of the future after having closed the road of the past . . . .

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 650

Bantu society is not ontologically reducible to segregation. [contrarian]

Be careful! It is not a matter of finding Being in Bantu thought, when Bantu existence subsists on the level of nonbeing, of the imponderable. It is quite true that Bantu philosophy is not going to open itself to understanding through a revolutionary will: But it is precisely in that degree in which Bantu society, being a closed society, does not contain that substitution of the exploiter for the ontological relations of Forces. Now we know that Bantu society no longer exists. And there is nothing ontological about segregation. Enough of this rubbish.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 654

Hotel racism can result from white guests’ threats. [causal]

One day he said: "My negritude is neither a tower. . . ." … And someone came along to Hellenize him, to make an Orpheus of him . . . this Negro who is looking for the universal. He is looking for the universal! But in June, 1950, the hotels of Paris refused to rent rooms to Negro pilgrims. Why? Purely and simply because their Anglo-Saxon customers (who are rich and who, as everyone knows, hate Negroes) threatened to move out.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 657

Paris expelled a student for reading Engels. [fact]

The Negro is universalizing himself, but at the Lycée Saint-Louis, in Paris, one was thrown out: He had had the impudence to read Engels.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 659

Négritude rejects abstract universality in favor of Black experience. [contrarian]

What? I have barely opened eyes that had been blindfolded, and someone already wants to drown me in the universal? What about the others? Those who "have no voice," those who "have no spokesman." . . . I need to lose myself in my negritude, to see the fires, the segregations, the repressions, the rapes, the discriminations, the boycotts. We need to put our fingers on every sore that mottles the black uniform.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 661

Jung doubted his own racial archetype theory. [fact]

European civilization is characterized by the presence, at the heart of what Jung calls the collective unconscious, of an archetype: an expression of the bad instincts, of the darkness inherent in every ego, of the uncivilized savage, the Negro who slumbers in every white man. And Jung claims to have found in uncivilized peoples the same psychic structure that his diagram portrays. Personally, I think that Jung has deceived himself. Moreover, all the peoples that he has known–whether the Pueblo Indians of Arizona or the Negroes of Kenya in British East Africa–have had more or less traumatic contacts with the white man.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 664

Israeli identity changes reshape the collective unconscious. [fact]

But the collective unconscious, without our having to fall back on the genes, is purely and simply the sum of prejudices, myths, collective attitudes of a given group. It is taken for granted, to illustrate, that the Jews who have settled in Israel will produce in less than a hundred years a collective unconscious different from the ones that they had had before 1945 in the countries which they were forced to leave.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 664

The collective unconscious is culturally shaped rather than inborn. [contrarian]

On the level of philosophic discussion, this would be the place to bring up the old problem of instinct and habit: instinct, which is inborn (we know how we must view this “innateness”), invariable, specific; habit, which is acquired. On this level one would have only to demonstrate that Jung has confused instinct and habit. In his view, in fact, the collective unconscious is bound up with the cerebral structure, the myths and archetypes are permanent engrams of the race. I hope I have shown that nothing of the sort is the case and that in fact the collective unconscious is cultural, which means acquired. Just as a young mountaineer of the Carpathians, under the physico-chemical conditions of his country, is likely to develop a myxedema, so a Negro like Rene Maran, who has lived in France and breathed and eaten the myths and prejudices of racist Europe, and assimilated the collective unconscious of that Europe, will be able, if he stands outside himself, to express only his hatred of the Negro. One must move softly, and there is a whole drama in having to lay bare little by little the workings of processes that are seen in their totality. Will this statement be susceptible of understanding? In Europe, the black man is the symbol of Evil.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 665

Projection protects equilibrium by externalizing shame. [causal]

Jung consistently identifies the foreign with the obscure, with the tendency to evil: He is perfectly right. This mechanism of projection–or, if one prefers, transference–has been described by classic psychoanalysis. In the degree to which I find in myself something unheard-of, something reprehensible, only one solution remains for me: to get rid of it, to ascribe its origin to someone else. In this way I eliminate a short circuit that threatens to destroy my equilibrium.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 667

Culture can impose a shared unconscious. [causal]

The collective unconscious is not dependent on cerebral heredity; it is the result of what I shall call the unreflected imposition of a culture. Hence there is no reason to be surprised when an Antillean exposed to waking-dream therapy relives the same fantasies as a European. It is because the Antillean partakes of the same collective unconscious as the European.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 668

The Antillean adopts European racial archetypes. [fact]

If what has been said thus far is grasped, this conclusion may be stated: It is normal for the Antillean to be anti-Negro. Through the collective unconscious the Antillean has taken over all the archetypes belonging to the European. The anima of the Antillean Negro is almost always a white woman. In the same way, the animus of the Antilleans is always a white man. That is because in the works of Anatole France, Balzac, Bazin, or any of the rest of “our” novelists, there is never a word about an ethereal yet ever present black woman or about a dark Apollo with sparkling eyes.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 669

Antillean identity is shaped by white racial idealization. [fact]

It is normal for the Antillean to be anti-Negro. Through the collective unconscious the Antillean has taken over all the archetypes belonging to the European. The anima of the Antillean Negro is almost always a white woman. In the same way, the animus of the Antilleans is always a white man.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 669

French thought casts Antilleans as anti-Black. [fact]

If what has been said thus far is grasped, this conclusion may be stated: It is normal for the Antillean to be anti-Negro. Through the collective unconscious the Antillean has taken over all the archetypes belonging to the European. The anima of the Antillean Negro is almost always a white woman. In the same way, the animus of the Antilleans is always a white man. That is because in the works of Anatole France, Balzac, Bazin, or any of the rest of "our" novelists, there is never a word about an ethereal yet ever present black woman or about a dark Apollo with sparkling eyes.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 669

Black poets often answer colonial stigma by reclaiming identity. [contrarian]

Without turning to the idea of collective catharsis, it would be easy for me to show that, without thinking, the Negro selects himself as an object capable of carrying the burden of original sin. The white man chooses the black man for this function, and the black man who is white also chooses the black man. The black Antillean is the slave of this cultural imposition. After having been the slave of the white man, he enslaves himself. The Negro is in every sense of the word a victim of white civilization. It is not surprising that the artistic creations of Antillean poets bear no special watermark: These men are white.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 671

Blackness is linked to moral inferiority in his view. [fact]

At the age of twenty–at the time, that is, when the collective unconscious has been more or less lost, or is resistant at least to being raised to the conscious level–the Antillean recognizes that he is living an error. Why is that? Quite simply because–and this is very important–the Antillean has recognized himself as a Negro, but, by virtue of an ethical transit, he also feels (collective unconscious) that one is a Negro to the degree to which one is wicked, sloppy, malicious, instinctual. Everything that is the opposite of these Negro modes of behavior is white. This must be recognized as the source of Negrophobia in the Antillean. In the collective unconscious, black = ugliness, sin, darkness, immorality. In other words, he is Negro who is immoral. If I order my life like that of a moral man, I simply am not a Negro.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 671

Antilleans map blackness to moral defect. [fact]

At the age of twenty–at the time, that is, when the collective unconscious has been more or less lost, or is resistant at least to being raised to the conscious level–the Antillean recognizes that he is living an error. Why is that? Quite simply because–and this is very important–the Antillean has recognized himself as a Negro, but, by virtue of an ethical transit, he also feels (collective unconscious) that one is a Negro to the degree to which one is wicked, sloppy, malicious, instinctual. Everything that is the opposite of these Negro modes of behavior is white. This must be recognized as the source of Negrophobia in the Antillean. In the collective unconscious, black = ugliness, sin, darkness, immorality. In other words, he is Negro who is immoral.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 671

Blackness becomes a burdened sign of sin. [fact]

Somewhat later I read white books and little by little I take into myself the prejudices, the myths, the folklore that have come to me from Europe. But I will not accept them all, since certain prejudices do not apply in the Antilles. Anti-Semitism, for instance, does not exist there, for there are no Jews, or virtually none. Without turning to the idea of collective catharsis, it would be easy for me to show that, without thinking, the Negro selects himself as an object capable of carrying the burden of original sin. The white man chooses the black man for this function, and the black man who is white also chooses the black man. The black Antillean is the slave of this cultural imposition. After having been the slave of the white man, he enslaves himself.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 671

Jung linked black skin to psychic inferiority. [fact]

Cultural imposition is easily accomplished in Martinique. The ethical transit encounters no obstacle. But the real white man is waiting for me. As soon as possible he will tell me that it is not enough to try to be white, but that a white totality must be achieved. It is only then that I shall recognize the betrayal. –L et us conclude. An Antillean is made white by the collective unconscious, by a large part of his individual unconscious, and by the virtual totality of his mechanism of individuation. The color of his skin, of which there is no mention in Jung, is black. All the inabilities to understand are born of this blunder.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 672

Black selfhood is fractured by white gaze. [fact]

Moral consciousness implies a kind of scission, a fracture of consciousness into a bright part and an opposing black part. In order to achieve morality, it is essential that the black, the dark, the Negro vanish from consciousness. Hence a Negro is forever in combat with his own image.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 674

Italian origin remained a remembered stigma. [fact]

I was fourteen years old when I began to understand the meaning of what I now call cultural imposition. I had an acquaintance, now dead, whose father, an Italian, had married a Martinican. This man had lived in Fort-de-France for more than twenty years. He was considered an Antillean, but, underneath, his origin was always remembered. Now, in France, from a military point of view, an Italian is despised; one Frenchmen is the equal of ten Italians; the Italians have no guts. . . . My acquaintance had been born in Martinique and he associated only with Martinicans. On the day Montgomery routed the Italian army at Bengazi, I wanted to mark the Allies’ victory on my map. Measuring the substantial advance of the lines, I could not help exulting: “We really murdered them!” My acquaintance, who was not unaware of his father’s origin, was extremely embarrassed. For that matter, so was I. Both of us were victims of a cultural imposition.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 677

The Negro’s descent becomes a path toward universality. [fact]

In order to terminate this neurotic situation, in which I am compelled to choose an unhealthy, conflictual solution, fed on fantasies, hostile, inhuman in short, I have only one solution: to rise above this absurd drama that others have staged round me, to reject the two terms that are equally unacceptable, and, through one human being, to reach out for the universal. When the Negro dives—in other words, goes under—something remarkable occurs.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 696

Michel Salomon was racist despite Jewish identity. [contrarian]

Beyond all question the most interesting testimony is presented by Michel Salomon. Although he defends himself against the charge, he stinks of racism. He is a Jew, he has a "millennial experience of anti-Semitism," and yet he is a racist.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 712

Sensuality involves the senses rather than sex alone. [definitional]

M. Salomon's study informs us that he is a physician. He should be wary of those literary points of view that are unscientific. The Japanese and the Chinese are ten times more prolific than the Negro: Does that make them sensual? And in addition, M. Salomon, I have a confession to make to you: I have never been able, without revulsion, to hear a man say of another man: "He is so sensuall" I do not know what the sensuality of a man is. Imagine a woman saying of another woman: "She's so terribly desirable–she's darling. . . ." The Negro, M. Salomon, gives off no aura of sensuality either through his skin or through his hair. It is just that over a series of long days and long nights the image of the biological-sexual-sensual-genital-nigger has imposed itself on you and you do not know how to get free of it. The eye is not merely a mirror, but a correcting mirror. The eye should make it possible for us to correct cultural errors.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 713

Martinique’s racial issue is really a colonial class issue. [contrarian]

The Negro problem does not resolve itself into the problem of Negroes living among white men but rather of Negroes exploited, enslaved, despised by a colonialist, capitalist society that is only accidentally white. You wonder, M. Salomon, what you would do "if you had 800,000 Negroes in France"; because for you there is a problem, the problem of the increase of Negroes, the problem of the Black Peril. The Martinican is a Frenchman, he wants to remain part of the French Union, he asks only one thing, he wants the idiots and the exploiters to give him the chance to live like a human being.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 714

White children imagine Negroes as past cannibals. [contrarian]

Recently, in a children's paper, I read a caption to a picture in which a young black Boy Scout was showing a Negro village to three or four white scouts: "This is the kettle where my ancestors cooked yours." One will gladly concede that there are no more Negro cannibals, but we should not allow ourselves to forget. . . . Quite seriously, however, I think that the writer of that caption has done a genuine service to Negroes without knowing it. For the white child who reads it will not form a mental picture cf the Negro in the act of eating the white man, but rather as having eaten him. Unquestionably, this is progress.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 717

The Negro myth can cause authentic alienation. [causal]

Before concluding this chapter, I should like to abstract a case study, for access to which I must thank the medical director of the women's division of the psychiatric hospital of Saint-Ylie. The case clarifies the point of view that I am defending here. It proves that, at its extreme, the myth of the Negro, the idea of the Negro, can become the decisive factor of an authentic alienation.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 718

The patient links rhythm to parental loss. [fact]

The psychiatrist in charge decided to employ waking-dream therapy. A preliminary interview had brought out the existence of hallucinations in the form of terrifying circles, and the patient had been asked to describe them. Here is an excerpt from the notes on the first session: Deep and concentric, the circles expanded and contracted to the rhythm of a Negro tom-tom. This tom-tom made the patient think of the danger of losing her parents, especially her mother.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 726

Blackness was associated with cannibalism in colonial racial myth. [fact]

I had a great many talks with this patient. When she was ten or twelve years old, her father, "an old-timer in the Colonial Service," liked to listen to programs of Negro music. The tom-tom echoed through their bouse every evening, long after she had gone to bed. Besides, as we have pointed out, it is at this age that the savage-cannibal-Negro makes his appearance. The connection was easily discernible.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 747

Dependence makes identity rely on others. [fact]

The Negro is comparison. There is the first truth. He is comparison: that is, he is constantly preoccupied with self-evaluation and with the ego-ideal. Whenever he comes into contact with someone else, the question of value, of merit, arises. The Antilleans have no inherent values of their own, they are always contingent on the presence of The Other. The question is always whether he is less intelligent than I, blacker than I, less respectable than I. Every position of one's own, every effort at security, is based on relations of dependence, with the diminution of the other. It is the wreckage of what surrounds me that provides the foundation for my virility.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 753

The Antillean seeks self-validation through others. [fact]

Everything that an Antillean does is done for The Other. Not because The Other is the ultimate objective of his action in the sense of communication between people that Adler describes, but, more primitively, because it is The Other who corroborates him in his search for self-validation.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 756

Antillean society shapes neurotic feelings. [fact]

In effect, Adler has created a psychology of the individual. We have just seen that the feeling of inferiority is an Antillean characteristic. It is not just this or that Antillean who embodies the neurotic formation, but all Antilleans. Antillean society is a neurotic society, a society of "comparison." Hence we are driven from the individual back to the social structure. If there is a taint, it lies not in the "soul" of the individual but rather in that of the environment.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 758

Antillean society shapes individual psychology. [fact]

Here the difficulties begin. In effect, Adler has created a psychology of the individual. We have just seen that the feeling of inferiority is an Antillean characteristic. It is not just this or that Antillean who embodies the neurotic formation, but all Antilleans. Antillean society is a neurotic society, a society of "comparison." Hence we are driven from the individual back to the social structure. If there is a taint, it lies not in the "soul" of the individual but rather in that of the environment.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 758

Adlerian comparison adds a social third term. [connection]

The Adlerian comparison embraces two terms; it is polarized by the ego. The Antillean comparison is surmounted by a third term: Its governing fiction is not personal but social.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 772

The colonized person is consumed by a racist environment. [fact]

The Martinican is a man crucified. The environment that has shaped him (but that he has not shaped) has horribly drawn and quartered him; and he feeds this cultural environment with his blood and his essences. Now, the blood of Negroes is a manure prized by experts.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 773

Colonial authorities blamed dependence after fostering it. [fact]

I wonder sometimes whether school inspectors and government functionaries are aware of the role they play in the colonies. For twenty years they poured every effort into programs that would make the Negro a white man. In the end, they dropped him and told him, "You have an indisputable complex of dependence on the white man."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 776

Self-consciousness exists only through recognition. [fact]

Self-consciousness exists in itself and for itself, in that and by the fact that it exists for another self-consciousness; that is to say, it is only by being acknowledged or recognized.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 777

Human worth depends on mutual recognition. [fact]

Man is human only to the extent to which he tries to impose his existence on another man in order to be recognized by him. As long as he has not been effectively recognized by the other, that other will remain the theme of his actions. It is on that other being, on recognition by that other being, that his own human worth and reality depend.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 778

Freedom and mastery cannot coexist. [fact]

Out of slavery the Negro burst into the lists where his masters stood. Like those servants who are allowed once every year to dance in the drawing room, the Negro is looking for a prop. The Negro has not become a master. When there are no longer slaves, there are no longer masters.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 790

Emancipation triggered psychological distress in some freed people. [fact]

The upheaval reached the Negroes from without. The black man was acted upon. Values that had not been created by his actions, values that had not been born of the systolic tide of his blood, danced in a hued whirl round him. The upheaval did not make a difference in the Negro. He went from one way of life to another, but not from one life to another. Just as when one tells a much improved patient that in a few days he will be discharged from the hospital, he thereupon suffers a relapse, so the announcement of the liberation of the black slaves produced psychoses and sudden deaths.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 796

White indifference sustains racial alienation. [fact]

When it does happen that the Negro looks fiercely at the white man, the white man tells him: “Brother, there is no difference between us.” And yet the Negro knows that there is a difference. He wants it. He wants the white man to turn on him and shout: “Damn nigger.” Then he would have that unique chance–to “show them. . . .” … But most often there is nothing–nothing but indifference, or a paternalistic curiosity.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 801

The Negro in the U.S. must struggle without a free gift. [fact]

The former slave needs a challenge to his humanity, he wants a conflict, a riot. But it is too late: The French Negro is doomed to bite himself and just to bite. I say “the French Negro,” for the American Negro is cast in a different play. In the United States, the Negro battles and is battled. There are laws that, little by little, are invalidated under the Constitution. There are other laws that forbid certain forms of discrimination. And we can be sure that nothing is going to be given free.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 803

Human action should begin from self-directed initiative. [fact]

Man’s behavior is not only reactional. And there is always resentment in a reaction. Nietzsche had already pointed that out in The Will to Power. … To educate man to be actional, preserving in all his relations his respect for the basic values that constitute a human world, is the prime task of him who, having taken thought, prepares to act.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 814

A doctor’s alienation is cultural, not material. [contrarian]

It is obvious–and I will never weary of repeating this –that the quest for disalienation by a doctor of medicine born in Guadeloupe can be understood only by recognizing motivations basically different from those of the Negro laborer building the port facilities in Abidjan. In the first case, the alienation is of an almost intellectual character. Insofar as he conceives of European culture as a means of stripping himself of his race, he becomes alienated. In the second case, it is a question of a victim of a system based on the exploitation of a given race by another, on the contempt in which a given branch of humanity is held by a form of civilization that pretends to superiority.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 818

Middle-class society creates intellectual alienation. [fact]

In this connection, I should like to say something that I have found in many other writers: Intellectual alienation is a creation of middle-class society. What I call middle-class society is any society that becomes rigidified in predetermined forms, forbidding all evolution, all gains, all progress, all discovery. I call middle-class a closed society in which life has no taste, in which the air is tainted, in which ideas and men are corrupt. And I think that a man who takes a stand against this death is in a sense a revolutionary.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 821

Personal identity is shaped by past choices. [fact]

Sartre has shown that, in the line of an unauthentic position, the past "takes" in quantity, and, when solidly constructed, informs the individual. He is the past in a changed value. But, too, I can recapture my past, validate it, or condemn it through my successive choices.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 837

Blackness is cast as inferior to whiteness. [contrarian]

The black man wants to be like the white man. For the black man there is only one destiny. And it is white. Long ago the black man admitted the unarguable superiority of the white man, and all his efforts are aimed at achieving a white existence.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 838

Black literature does not alter colonial oppression. [contrarian]

Let us be clearly understood. I am convinced that it would be of the greatest interest to be able to have contact with a Negro Literature or architecture of the third century before Christ. I should be very happy to know that a correspondence had flourished between some Negro philosopher and Plato. But I can absolutely not see how this fact would change anything in the lives of the eight-year-old children who labor in the cane fields of Martinique or Guadeloupe.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 870

Enslavement and racial violence still demand redress. [fact]

The disaster of the man of color lies in the fact that he was enslaved. … The disaster and the inhumanity of the white man lie in the fact that somewhere he has killed man. … And even today they subsist, to organize this dehumanization rationally. But I as a man of color, to the extent that it becomes possible for me to exist absolutely, do not have the right to lock myself into a world of retroactive reparations.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 874

Freedom requires disalienation from inherited voices. [fact]

The Negro is not. Any more than the white man. … Both must turn their backs on the inhuman voices which were those of their respective ancestors in order that authentic communication be possible. Before it can adopt a positive voice, freedom requires an effort at disalienation. At the beginning of his life a man is always clotted, he is drowned in contingency. The tragedy of the man is that he was once a child.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 878

Returners seem full of added selfhood. [fact]

  1. By that I mean that Negroes who return to their original environments convey the impression that they have completed a cycle, that they have added to themselves something that was lacking. They return literally full of themselves.
Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 887

Monsieur B cannot speak French well. [fact]

Compare for example the almost incredible store of anecdotes to which the election of any candidate gives rise. A filthy newspaper called the Canard Déchaîné could not get its fill of overwhelming Monsieur B. with devastating Creolisms. This is indeed the bludgeon of the Antilles: He can't express himself in French.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 897

Colonial intimacy did not prevent racial conflict. [contrarian]

Let us not exaggerate. When a soldier of the conquering army went to bed with a young Malagasy girl, there was undoubtedly no tendency on his part to respect her entity as another person. The racial conflicts did not come later, they coexisted. The fact that Algerian colonists go to bed with their fourteen-year-old housemaids in no way demonstrates a lack of racial conflicts in Algeria.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 904

Mayotte Capécia’s heroines are compelled to leave home. [fact]

In addition–and from this one can foresee what is to come–it is legitimate to say that Mayotte Capécia has definitively turned her back on her country. In both her books only one course is left for her heroines: to go away. This country of niggers is decidedly accursed. In fact, there is an aura of malediction surrounding Mayotte Capécia. But she is centrifugal. Mayotte Capécia is barred from herself.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 910

Sartre’s theory misfits black consciousness. [contrarian]

Though Sartre's speculations on the existence of The Other may be correct (to the extent, we must remember, to which Being and Nothingness describes an alienated consciousness), their application to a black consciousness proves fallacious. That is because the white man is not only The Other but also the master, whether real or imaginary.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 965

France exposes Antillean racial identity. [contrarian]

More especially, they become aware that the line of self-esteem that they had chosen should be inverted. We have seen in fact that the Antillean who goes to France pictures this journey as the final stage of his personality. Quite literally I can say without any risk of error that the Antillean who goes to France in order to convince himself that he is white will find his real face there.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 986

Anti-Semitism arises from frustrated family conflict. [causal]

The study of our questionnaires showed that the most strongly anti-Semitic persons belonged to the most conflictual family structures. Their anti-Semitism was a reaction to frustrations suffered inside the family environment. What demonstrates that the Jew is a substitutive object in anti-Semitism is the fact that, depending on local conditions, the same family situations will produce hatred of Negroes, anti-Catholicism, or anti-Semitism. One can therefore state that, contrary to what is generally believed, it is the attitude that seeks the content rather than the content that creates the attitude.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 990

Senegalese soldiers carried frightening colonial myths. [fact]

I was perhaps thirteen when for the first time I saw Senegalese soldiers. All I knew about them was what I had heard from veterans of the First World War: "They attack with the bayonet, and, when that doesn't work, they just punch their way through the machine-gun fire with their fists. . . . They cut off heads and collect human ears." These Senegalese were in transit in Martinique, on their way from Guiana. I scoured the streets eagerly for a sight of their uniforms, which had been described to me: red scarfs and belts. My father went to the trouble of collecting two of them, whom he brought home and who had the family in raptures. It was the same thing in school.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 994

Martinan officials wore white suits on Mondays. [fact]

The father was given to walking up and down his balcony every evening at sunset; after a certain time of night, it was always said, he became invisible. Of another family, who lived in the country, it was said that on nights when there was a power failure the children had to laugh so that their parents would know that they were there. On Mondays, very carefully got up in their white linen suits, certain Martinican officials, in the local figure of speech, "looked like prunes in a bowl of milk."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 995

Teachers from Guadeloupe corrected baccalaureate exams in Fort-de-France. [fact]

During the Second World War, teachers went from Guadeloupe to Fort-de-France to correct the examinations of candidates for the baccalaureate, and, driven by curiosity, I went to the hotel where they were staying, simply in order to see Monsieur B., a philosophy teacher who was supposed to be remarkably black; as the Martinicans say, not without a certain irony, he was "blue." One family in particular has an excellent reputation: "They're very black, but they're all quite nice."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 995

Homosexuality functioned as income for some Martinicans in Europe. [fact]

Let me observe at once that I had no opportunity to establish the overt presence of homosexuality in Martinique. This must be viewed as the result of the absence of the Oedipus complex in the Antilles. … In Europe, on the other hand, I have known several Martinicans who became homosexuals, always passive. But this was by no means a neurotic homosexuality: For them it was a means to a livelihood, as pimping is for others.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 1015

Alienation severs a person from their own life. [fact]

I am thinking particularly of this passage: … Such then is this haunted man, condemned to make his choice of himself on the basis of false problems and in a false situation, deprived of the metaphysical sense by the hostility of the society that surrounds him, driven to a rationalism of despair. His life is nothing but a long flight from others and from himself. He has been alienated even from his own body; his emotional life has been cut in two; he has been reduced to pursuing the impossible dream of universal brotherhood in a world that rejects him.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 1017

Antisemitic projection casts Jews as evil. [fact]

This is what Marie Bonaparte wrote in Myths de guerre, No. 1, p. 145: "The anti-Semite projects on to the Jew, ascribes to the Jew all his own more or less unconscious bad instincts. . . . Thus, in ridding himself of them by heaping them on the shoulders of the Jew, he has purged himself of them in his own eyes and sees himself in shining purity. The Jew thus lends himself magnificently to a projection of the Devil. . . . The Negro in the United States assumes the same function of fixation."

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 1020

Black female suicides outnumbered Black male suicides in Cincinnati. [fact]

According to Durkheim, Jews never committed suicide. Now it is the Negroes. Very well: "The Detroit municipal hospital found that 16.6% of its suicide cases were Negroes, although the proportion of Negroes in the total population is only 7.6%. In Cincinnati, the number of Negro suicides is more than double that of whites; this may result in part from the amazing sexual disparity among Negro suicides: 358 women against 76 men." (Gabriel Deshaies, Psychologie du suicide, note 23.)

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 1036

Fanon rejects Hegel’s labor-based emancipation model. [contrarian]

I hope I have shown that here the master differs basically from the master described by Hegel. For Hegel there is reciprocity; here the master laughs at the consciousness of the slave. What he wants from the slave is not recognition but work. … In the same way, the slave here is in no way identifiable with the slave who loses himself in the object and finds in his work the source of his liberation. … Therefore he is less independent than the Hegelian slave. … In Hegel the slave turns away from the master and turns toward the object. … Here the slave turns toward the master and abandons the object.

Frantz Fanon, Constance Farrington, Black skin, white masks, loc. 1037